‘Agatha Christie’s Poirot’ bows out with class in Season 13 (2013)
Sleuthing Sunday (TV review): Two strong episodes are joined by three that require creative re-imaginings by the writers.
Television
‘Agatha Christie’s Poirot’ bows out with class in Season 13 (2013)
‘TMNT’ Season 6 (1992) episodes 9-16 aren’t too scary
‘TMNT’ flashback (TV review): “Nightmare in the Lair” and “Snakes Alive!” are safe for kids, and adults might find a couple things to like about this batch.
Hitchcock mulls truth, POV, memory in hourlong episodes (1957-62)
On a Hitchcock kick (TV review): Hitchcock directs one episode each of three NBC series he produced: “Suspicion,” “Startime” and “The Alfred Hitchcock Hour.”
Be very suspicious of the 1988 remake of ‘Suspicion’
On a Hitchcock kick (Movie review): It’s Curtin’s for us if we try to get any pleasure from an adaptation that doesn’t feature Grant and Fontaine.
‘Agatha Christie’s Poirot’ gets dark for Season 12 (2009-10)
Sleuthing Sunday (TV review): Justice is not so cut-and-dried for Poirot as he tackles his most famous case and three other compelling ones.
It’s hard to break away from ‘Severance’ Season 2
TV review: Despite a couple slow episodes, Dan Erickson’s show succeeds by being a character-driven puzzle box.
‘Alfred Hitchcock Presents’ Season 3 (1957-58) goes out like a lion
On a Hitchcock kick (TV review): The director teams with writer Roald Dahl for one of TV’s great instances of macabre humor, “Lamb to the Slaughter.”
‘Dain Curse’ (1978), Hammett’s most emotional novel, gets miniseries treatment
Sleuthing Sunday (TV review): Although he doesn’t resemble Hammett’s description, James Coburn makes an appealing screen version of the Continental Op.
A baffling mystery: Why has there never been a Continental Op TV series?
Sleuthing Sunday (TV commentary): One obscure half-hour episode from 1995 features Hammett’s prolific detective, and teases what we could have over the course of a full series.
‘Alfred Hitchcock Presents’ Season 2 (1956-57) explores flickering morals
On a Hitchcock kick (TV review): The Master of Suspense directs two stories of murder cover-ups and one of an overactive imagination.