‘Rebecca’ (1997) is more faithful to du Maurier’s gothic tragedy
On a Hitchcock kick (TV review): It’s a tad less masterful than the master’s version, but this longer, faithful adaptation isn’t lost in the smoke.
Television
‘Rebecca’ (1997) is more faithful to du Maurier’s gothic tragedy
Better late than ‘Nevers’: The back half of Whedon’s show (2023) is actually good
Throwback Thursday (TV review): Joss Whedon’s last TV show actually goes out in respectable style. The hardest part is tracking it down.
‘Agatha Christie’s Poirot’ bows out with class in Season 13 (2013)
Sleuthing Sunday (TV review): Two strong episodes are joined by three that require creative re-imaginings by the writers.
‘TMNT’ Season 6 (1992) episodes 9-16 aren’t too scary
‘TMNT’ flashback (TV review): “Nightmare in the Lair” and “Snakes Alive!” are safe for kids, and adults might find a couple things to like about this batch.
Hitchcock mulls truth, POV, memory in hourlong episodes (1957-62)
On a Hitchcock kick (TV review): Hitchcock directs one episode each of three NBC series he produced: “Suspicion,” “Startime” and “The Alfred Hitchcock Hour.”
Be very suspicious of the 1988 remake of ‘Suspicion’
On a Hitchcock kick (Movie review): It’s Curtin’s for us if we try to get any pleasure from an adaptation that doesn’t feature Grant and Fontaine.
‘Agatha Christie’s Poirot’ gets dark for Season 12 (2009-10)
Sleuthing Sunday (TV review): Justice is not so cut-and-dried for Poirot as he tackles his most famous case and three other compelling ones.
It’s hard to break away from ‘Severance’ Season 2
TV review: Despite a couple slow episodes, Dan Erickson’s show succeeds by being a character-driven puzzle box.
‘Alfred Hitchcock Presents’ Season 3 (1957-58) goes out like a lion
On a Hitchcock kick (TV review): The director teams with writer Roald Dahl for one of TV’s great instances of macabre humor, “Lamb to the Slaughter.”
‘Dain Curse’ (1978), Hammett’s most emotional novel, gets miniseries treatment
Sleuthing Sunday (TV review): Although he doesn’t resemble Hammett’s description, James Coburn makes an appealing screen version of the Continental Op.