‘Patriotic Murders’ (1940) is both political and personal
Sleuthing Sunday (Book review): It’s perhaps unavoidably complex, but this is one of Agatha Christie’s stronger political/espionage novels.
‘Patriotic Murders’ (1940) is both political and personal
‘Fear Street Part One: 1994’ is slick (and sick) product
Movie review: While it could’ve benefited from a deeper mystery, the characters are solid and the horror slick in this take on the “Fear Street” books.
Gory ‘Evil Dead’ (2013) strips away humor
Frightening Friday (Movie review): Like many 21st century sequels, the fourth “Evil Dead” film is an attempt to draw new fans.
At 50, Roundtree’s ‘Shaft’ (1971) is still a cool cat
Throwback Thursday (Movie review): Beyond “Shaft’s” music and stylish look, its main value is historical rather than entertainment.
‘Café Society’ (2016) beats ‘La La Land’ to punch
Woody Wednesday (Movie review): “Café Society” was overshadowed by “La La Land,” but Allen’s film is likewise a worthy love letter to show business.
‘13th Warrior’ (1999) a mellow take on ‘Eaters of the Dead’
Michael Crichton Monday (Movie review): This fairly tame adaptation of “Eaters of the Dead” is technically impressive, especially in the battles.
Odenkirk’s ‘Nobody’ is somebody worth watching
Movie review: “Better Call Saul’s” Bob Odenkirk may have launched another iconic franchise with the Everyman badass hero in this “John Wick”-ian actioner.
‘Appointment with Death’ (1938) probes unhappy family
Sleuthing Sunday (Book review): Agatha Christie lets the reader play psychologist, as nearly every member of the Boynton family has a motive to murder.
‘Hellraiser III: Hell on Earth’ (1992) expands canvas
Frightening Friday (Movie review): The third “Hellraiser” refreshingly takes place in the real world, but it eventually gets bogged down by Hell mythology.
Besson’s ‘Fifth Element’ (1997) an art-design paradise
Throwback Thursday (Movie review): Deliciously designed with a funny and adventurous story, this remains writer-director Luc Besson’s standout film.