Argento makes horror operatic in ‘Opera’ (1987)
Frightening Friday (Movie review): Though not totally eye-opening for fans of Argento’s work, this is one of the director’s most focused productions.
Argento makes horror operatic in ‘Opera’ (1987)
Merle’s memories: ‘Sing Me Back Home: My Story’ (1981)
Throwback Thursday (Book review): The superstar country singer-songwriter also penned one of the great autobiographies of all time.
‘Spirit of St. Louis’ (1957) shows the technical side of the spectacular
Wilder Wednesday (Movie review): You’ll learn a lot about Lindbergh’s transatlantic flight, but it’s hard to make sleep deprivation thrilling.
‘TMNT’ Season 6 (1992) episodes 9-16 aren’t too scary
‘TMNT’ flashback (TV review): “Nightmare in the Lair” and “Snakes Alive!” are safe for kids, and adults might find a couple things to like about this batch.
With ‘The High Window’ (1942), Chandler sets a high bar
Sleuthing Sunday (Book review): Plot and characters make a big leap without sacrificing style in the third Marlowe novel.
Evaders in cars? No! It’s ‘Invaders from Mars’ (1953)
Frightening Friday (Movie review): It’s not paranoia if they really are out to get you in one of the Fifties’ best Red Scare parables.
‘French Connection’ (1971) lets you make own conclusions about Drug War
Throwback Thursday (Movie review): Stylishly gritty without being a lecture, this is a deceptively smart straightforward film.
‘Kiss Me, Stupid’ (1964) is a stupid thing to watch if you dislike farces
Wilder Wednesday (Movie review): Hitting that dead spot between zany and predictable, “Kiss Me, Stupid” is another unfunny sex comedy from the Hays Code era.
I kinda love how ‘Heart Eyes’ mixes rom-com with slasher
Movie review: Though mainstream in many ways, the film boasts cleverness and subversiveness along with the always reliable Olivia Holt.
Chandler makes Marlowe human in ‘Farewell, My Lovely’ (1940)
Sleuthing Sunday (Book review): In the second Marlowe novel, the detective is more grounded than he is superhero-ish.