‘Maneater’ (2022) isn’t a full meal, but it has tasty turns
Toothy Tuesday (Movie review): Armed with a good cast and solid effects, writer-director Justin Lee wants to make the next shark classic, but he falls short.
‘Maneater’ (2022) isn’t a full meal, but it has tasty turns
‘Soldier’ finally gets (somewhat) appreciated in ‘From Script to Screen’
Book review: When the screenwriter and many crew members don’t like the film, “Soldier” can’t be called a classic. But some of us like it anyway.
‘Superman: The High-Flying History of America’s Most Enduring Hero’ (2012) a good place to start your Supes scholarship
Superhero Saturday (Book review): Leaning toward laudatory, Tye’s book offers a thorough overview of Supes in pop culture and his comics narrative.
All 9 ‘Scream’ movies and TV seasons, ranked
Movie and TV list: RFMC compiles a list to die for as we don’t merely pick our favorite scary movie, but rank all the entries from worst to first.
‘Speed’ (1994) a fast, fun showcase for Reeves, Bullock
Throwback Thursday (Movie review): The premise and spectacle are smart in that dumb way of 1990s actioners, and the leads have cute chemistry.
Summer movie preview 2023: 10 films I wouldn’t mind seeing
Summer movie preview: Here’s a look at “Mission: Impossible 7” and nine other films I wouldn’t mind seeing in Summer 2023.
‘The Reef: Stalked’ (2022) watered down compared to original
Toothy Tuesday (Movie review): Andrew Traucki still takes nature seriously, but this occasionally suspenseful sequel ultimately falls flat.
M.K. England makes crisp ‘Firefly’ debut with ‘What Makes Us Mighty’ (2022)
‘Firefly’ flashback (Book review): The author nails the characterizations and language as the crew stumbles into a bad planetary situation.
‘Black Panther: Wakanda Forever’ (2022) has heart, not enough soul
Superhero Saturday (Movie review): This sequel is hyper-aware that it lacks Chadwick Boseman, but it doesn’t have good enough ideas to make up for the loss.
‘Watcher’ (2022) boasts style, paranoia, little else
Frightening Friday (Movie review): This Maika Monroe-starrer follows a grand tradition, but it lacks the layers of new gems like “Last Night in Soho.”