Smith taps funny bone, tugs heartstrings in ‘Clerks III’
Movie review: Writer-director Kevin Smith makes not merely a nostalgia-fest, but his flat-out best film in a long time.
Movie review: Writer-director Kevin Smith makes not merely a nostalgia-fest, but his flat-out best film in a long time.
Movie review: Zach Cregger gets on the map with a candidate for 2022’s best horror film – as he comments on the less savory side of living in ’22.
Six weeks of ‘The Omen’: This nice-looking, inconsistently written series gives Damien more robust internal strife against his dark destiny.
Sleuthing Sunday (Book review): Agatha Christie didn’t write as many cozy village murder mysteries as the stereotype suggests. But this is one of them.
Movie review: The Clive Barker saga (which began with the 1987 classic) gets a serious and slick fresh take after a slew of cheap sequels.
‘Kolchak’ flashback (Graphic novel review): Writer C.J. Henderson and artist Jaime Calderon collaborate on a solid but typo-filled slice of monster-noir.
Movie review: Strong performances by Justin Long and Kate Bosworth drive Neil LaBute’s quick horror riff that feels like a stage play.
TV review: The switch to young-adult source material doesn’t mean Mike Flanagan’s high bar has been lowered. This is another artistic mix of heart and horror.
Movie review: The early mysterious air soon goes out of the stylish but pretentious “Nope,” as Peele again fails to recapture the brilliance of “Get Out.”
Six weeks of ‘The Omen’ (Movie review): Director John Moore pulls off a neat trick of respecting the original narrative while adding his own style.