‘Yoga Hosers’ (2016) colorful but utterly uninspired
Frightening Friday (Movie review): Kevin Smith hits a low point with this laugh-lacking horror comedy starring his daughter and Johnny Depp’s daughter.
Action
‘Yoga Hosers’ (2016) colorful but utterly uninspired
Smith proves he can do brutally great horror in ‘Red State’ (2011)
Frightening Friday (Movie review): Known more for comedies like “Clerks,” Kevin Smith demonstrates his versatility with this shocking horror-actioner.
‘Thor: Love and Thunder’ (2022) spectacular, insubstantial
Superhero Saturday (Movie review): However, it’s unlikely this fourth “Thor” installment will stick with audiences the way more serious superhero films do.
‘Doctor Strange’ enters ‘Multiverse of Madness’ (2022), and it looks familiar
Superhero Saturday (Movie review): The MCU’s Multiverse Saga is starting to play like lazy afternoon couch viewing more so than must-see superhero storytelling.
Leitch’s ‘Bullet Train’ (2022) barely stays on the rails
Movie review: Action director David Leitch delivers good choreography in “Bullet Train,” but it’s ultimately too ridiculous to make an impact.
‘Black Adam’ a goofily fun but hypocritical superhero romp
Movie review: The Rock is nicely understated as a rare Middle Eastern superhero, but the setting feels more like a computer than reality.
‘Violent Night’ isn’t always naughty, but it’s definitely bad
Movie review: The latest non-traditional Christmas film stuffs in as many awful characters as possible. It’s as unappealing as you’d assume.
Gibson plays a decidedly gruff Santa in ‘Fatman’ (2020)
Throwback Thursday (Movie review): There’s no Jake to be found, but this Fatman lays down the law on his own against bad guys at Christmastime.
With ‘Westworld’ canceled, ‘Peripheral’ smoothly slides in
First episode impressions (TV review): Scott B. Smith returns to prominence with “The Peripheral,” the latest visionary sci-fi show to hit streaming.
Satirical ‘Starship Troopers’ (1997) also a strong actioner
Throwback Thursday (Movie review): In crafting a satirical SF classic, Verhoeven and Neumeier don’t skimp on the characters and world-building.