‘The Gorge’ can’t clear the gap to greatness
Movie review: Standard sci-fi intrigue and two likeable leads keep Derrickson’s film from descending too far, but it could’ve been better.
Anya Taylor-Joy
‘The Gorge’ can’t clear the gap to greatness
‘Furiosa: A Mad Max Saga’ (2024) a bildungsroman of vengeance
Five days of ‘Mad Max’ (Movie review): George Miller’s epic prequel aims to put the woman warrior at the same status as Max, and mostly succeeds.
‘The Menu’ (2022) serves up weirdness, skimps on horror
Movie review: Director Mark Mylod’s film has the presentation of great psychological horror, but it’ll leave you hungry for plausibility and scares.
Taylor-Joy, Goth feature in slow-burn ‘Marrowbone’ (2018)
Frightening Friday (Movie review): Sergio G. Sanchez’s sepia-toned midcentury piece mixes family life and housebound scares.
McKenzie, Taylor-Joy light up ‘Last Night in Soho’
Movie review: Edgar Wright lusciously mashes up genres and takes us on a wild ride through London’s neon-lit club sector.
‘X-Men’ finale ‘New Mutants’ taps into old story
Movie review: Fox’s “X-Men” film saga ends with a relative whimper despite “The New Mutants’ ” standout cast and intriguing influences.
Anya Taylor-Joy’s ‘Emma’ is beautiful but uneven
Movie review: “Emma” nails the early 19th century English countryside, costumes, manors and manners. But the interludes are jarring.
‘Queen’s Gambit’ the Grandmaster of short-form drama
TV review: Anya Taylor-Joy is outstanding in this miniseries that takes us to the 1950s and 1960s in all their pastel and analog glory.
It’s great to revisit ‘Unbreakable’-verse in ‘Glass’
Movie review: “Glass” is overlong, but the thrill of seeing the worlds of “Unbreakable” and “Split” combine doesn’t wear off.
McAvoy puts on a show in trilogy capper ‘Glass’
Spoiler-free movie review: This trilogy-capper we didn’t know we needed is another unconventional superhero film from Shyamalan.