‘Deathtrap’ (1982) a tangle of not-funny-enough meta gags
Throwback Thursday (Movie review): Caine and Reeve are good, but the humor doesn’t give this plotting-a-murder thriller enough bite.
Comedy
‘Deathtrap’ (1982) a tangle of not-funny-enough meta gags
Big talent comes to America with a small entry: ‘The Major and the Minor’ (1942)
Wilder Wednesday (Movie review): Wilder makes his stateside directing debut with an un-hateable Ginger Rogers comedy.
‘TMNT’ Season 6 (1992) episodes 9-16 aren’t too scary
‘TMNT’ flashback (TV review): “Nightmare in the Lair” and “Snakes Alive!” are safe for kids, and adults might find a couple things to like about this batch.
‘Kiss Me, Stupid’ (1964) is a stupid thing to watch if you dislike farces
Wilder Wednesday (Movie review): Hitting that dead spot between zany and predictable, “Kiss Me, Stupid” is another unfunny sex comedy from the Hays Code era.
I kinda love how ‘Heart Eyes’ mixes rom-com with slasher
Movie review: Though mainstream in many ways, the film boasts cleverness and subversiveness along with the always reliable Olivia Holt.
‘Love in the Afternoon’s’ (1957) May-December romance feels 8 months long
Wilder Wednesday (Movie review): The age gap is a talking point, but the real issue is this rom-com isn’t romantic or funny enough.
‘Breakfast of Champions’ (1973) is easily digestible American satire
Book club book report: To the benefit of the novel’s shelf life, but not to the benefit of humanity, Vonnegut’s classic remains relevant.
Stand up these dates: ‘Prom Night III: The Last Kiss’ (1990) and ‘Prom Night IV: Deliver Us from Evil’ (1991)
‘Prom Night’ saga (Movie reviews): The third time is not the charm for this Canadian slasher franchise. Nor is the fourth, although it’s a tad better.
‘Fortune Cookie’ (1966) crumbles under its length, predictability
Wilder Wednesday (Movie review): This supposed satire of dishonest lawyering misfires by running the ball right up the middle.
By a ‘Coup de Chance’ (2023), Woody’s still got it
Woody Wednesday (Movie review): While this isn’t Allen’s best film mixing infidelity and murder, the themes are remixed in an engaging way.