Self-cannibalizing ‘The Monkey’ is more dark than comedic
Movie review: Osgood Perkins’ idiosyncratic brand of horror won’t connect with everyone, and I doubt he intends that it will.
Family Drama
Self-cannibalizing ‘The Monkey’ is more dark than comedic
‘It: Welcome to Derry’ expands from King’s work in King-y way
TV review: But there’s a reason why the author didn’t go this deep into the Pennywise mythology. It strains under its convolutions.
‘Cinnamon Skin’ (1982) blows up into a good quest novel
Sleuthing Sunday (Book review): MacDonald crafts one of his most psychologically interesting villains in the penultimate McGee yarn.
‘Freakier Friday’: Some things don’t change with age
Movie review: The game cast and good gags make this sequel worth watching, but unfortunately it has no new insights.
A century of suspense: All 52 Alfred Hitchcock films, ranked
Movie list: One hundred years after his first silent film, we rank the cinematic catalog of the Master of Suspense.
YA-style mystery ‘Sun Down Motel’ (2020) floats off like a ghost
Book club book report: Simone St. James doesn’t do enough to make two narrators and time periods distinct in this supernatural-tinged yarn.
‘Final Girls’ (2015) makes fun of old tropes, unfortunately shepherds new one
Frightening Friday (Movie review): This slasher satire ostensibly goes to 1986, but it can’t escape the 21st century’s flattened effect.
‘Fantastic Four: First Steps’ is a fantastic bore
Movie review: The retro-futurism production design is on point, and so is the acting, but the story is overblown and flat.
‘Conjuring’ saga applies wallpaper as fast as it peels in ‘Last Rites’
Movie review: The saga’s emphasis on the investigators rather than the documented case is starting to become a bit much in the fourth entry.
Character exploration takes a backseat in rompish ‘Chucky’ Season 2 (2022)
‘Child’s Play’ flashback (TV review): The show is filled with pop-culture riffs but isn’t interested in going deep into the soul of its many Chuckies and humans.