Keaton’s ‘Mr. Mom’ (1983) is a soapy domestic sitcom
Hughes Day Tuesday (Movie review): Keaton and Garr are pleasant, but the dad’s helplessness is simultaneously absurd and not as funny as it should be.
Family Drama
Keaton’s ‘Mr. Mom’ (1983) is a soapy domestic sitcom
‘Turning’ is a flatter James adaptation than ‘Bly Manor’
Movie review: “The Turning” is the lesser of 2020’s Henry James adaptations, as it makes “The Turn of the Screw” too confusing.
Hughes’ ‘Curly Sue’ (1991) is a lovable, if strange, fable
Hughes Day Tuesday (Movie review): “Curly Sue” has no grip on reality, but a sweet father-daughter relationship makes it oddly lovable.
‘Haunting of Bly Manor’ a beautiful, flawed meditation on love
TV review: It’s not as scary or as good as “Haunting of Hill House,” but this follow-up features a lot of beautiful storytelling.
‘Uncle Buck’ (1989) has lots of heart, fewer laughs
Hughes Day Tuesday (Movie review): Although loved by many, “Uncle Buck” is the weakest of the three major Hughes-Candy collaborations.
‘Away’ a flighty drama about work-life balance
First episode impressions (TV reviews): Here are my first looks at “Away,” “Departure,” “Woke” and “Jurassic World: Camp Cretaceous.”
‘The Breakfast Club’ (1985) a low-key teen masterpiece
Hughes Day Tuesday (Movie review): Teenagers grow up in a single detention session in John Hughes’ masterfully edited small-scale gem.
‘Sixteen Candles’ (1984) launches Hughes as teen king
Hughes Day Tuesday (Movie review): Director John Hughes and actress Molly Ringwald enter the spotlight as elite entertainers for the 1980s teen crowd.
In ‘Breaking Bad’ Season 5 (2012-13), you’re god damn right Walter is Heisenberg
Blogging ‘Bad’ (TV review): Walter White confidently embraces his Heisenberg identity in Season 5. But the show examines the tragedy of doing so.
‘Some Kind of Wonderful’ (1987) shows a lot of heart
Hughes Day Tuesday (Movie review): Notably similar to “Pretty in Pink,” Howard Deutch’s followup is nonetheless a small love-triangle gem.