Saga starts with gritty, DIY action in ‘Mad Max’ (1979)
Five days of ‘Mad Max’ (Movie review): George Miller’s saga begins with amazing low-budget stunt work and the rise of a vigilante hero.
Five days of ‘Mad Max’ (Movie review): George Miller’s saga begins with amazing low-budget stunt work and the rise of a vigilante hero.
Frightening Friday (Movie review): This Russian-language classic concerns a brave student and a very beautiful, very dead girl in what’s been called the first Soviet horror film.
On a Hitchcock kick (Movie review): The director closes out his pre-color period with a moody courtroom drama that’s not as strong as it could’ve been as a mystery.
On a Hitchcock kick (Movie review): Though hurt by a lack of a vibrant print, this music-driven film has historical and even some romantic value.
On a Hitchcock kick (Movie review): This comedy is bad in several ways, but the most basic is that it’s twice as long as what the breezy story calls for.
Frightening Friday (Movie review): Not quite horror, not quite horrible, the film’s standout feature is the wrestling action.
On a Hitchcock kick (Movie review): Neither deeply serious nor hilarious, this silent-era entry is easy to watch thanks to Betty Balfour.
On a Hitchcock kick (Movie review): The Master of Suspense is still learning his craft on this ambitious but muddy British picture.
Frightening Friday (Movie review): Polanski’s breakthrough English-language film retains strikingly modern insights into a neurodivergent brain.
Frightening Friday (Movie review): Loosen up and enjoy the party that is this bizarre Italian horror-romance film.