Hitchcock takes a swing at boxing in ‘The Ring’ (1927)
On a Hitchcock kick (Movie review): This silent film has some light comedic punch as it chronicles rivals for a title belt and a woman’s affections.
Foreign Films
Hitchcock takes a swing at boxing in ‘The Ring’ (1927)
‘Young and Innocent’ (1937) a simpler, sweeter ‘39 Steps’
On a Hitchcock kick (Movie review): Hitchcock tackles a story similar to “The 39 Steps” in a would-be star-making turn for Nova Pilbeam.
‘Godzilla Minus One’ (2023) is Japan’s ‘Independence Day’
Movie review: Takashi Yamazaki’s character-driven prequel to 1954’s “Godzilla” illustrates the changing Japanese culture after WWII.
‘Grave Encounters 2’ (2012) goes humorously meta
Frightening Friday (Movie review): The Vicious Brothers write a smart sequel commenting on their own work and the genre as a whole, but scares are sacrificed.
Hitchcock’s protagonist gets beaten ‘Downhill’ (1927) by life
On a Hitchcock kick (Movie review): In a prototype for “I Confess,” Hitch asks how much societal BS one person can absorb before it’s too much.
‘Grave Encounters’ (2011) a suitably scary tour of an abandoned asylum
Frightening Friday (Movie review): This might be a pretty obvious premise for found-footage horror, but that doesn’t mean it’s a bad one.
Hitch’s career respectfully launches with ‘Pleasure Garden’ (1925)
On a Hitchcock kick (Movie review): But viewers at the time didn’t get a fair chance to watch the director’s light romance until after “The Lodger” became a hit.
‘The Lodger’ (1927) shows Hitch can be Hitch without dialog
On a Hitchcock kick (Movie review): But modern viewers of this silent classic will likely appreciate the score laid down by Ashley Irwin in 1999.
Australian scarer ‘Talk to Me’ maintains grip till the end
Movie review: “Talk to Me” has the horror mood and mystery you want, plus strong characters and a chilling ending.
‘Endless Night’ gets made into sneaky great 1972 film
Sleuthing Sunday (Movie review): Christie’s tricky-to-adapt 1967 gem makes an impressive transition to film, with surprises intact.