During the Expanded Universe era, the Bantam/Del Rey books and Dark Horse comics didn’t collaborate too often, but when they did, it was often a treat. A prime example is John Jackson Miller’s “Lost Tribe of […]
“The Clone Wars” digests, like their parent show, came to a premature conclusion in 2013 with Disney’s purchase and rebooting of the franchise. As with the TV show, the digests were starting to be more consistently […]
“Knight Errant” (2010-12), John Jackson Miller’s second “Star Wars” saga after “Knights of the Old Republic,” has one of the darkest possible premises: Lone Jedi Knight Kerra Holt tries to gather up slaves from Sith territory […]
Dark Horse’s “Star Wars Adventures,” a series of six comic digests from 2009-11, seems like a good way to experience character-focused stories set during the time of the original trilogy. However, these comics are aggressively aimed at […]
“The Old Republic” franchise – which is cranking out expansions to the game to this day – used the platforms of comics and novels primarily as teasers for the game from 2010-12, with almost all […]
There are two ways to approach video game tie-in comics – in a way that appeals to comic book fans, or in a way that appeals to players of the game. The “Knights of the […]
John Jackson Miller doles out the answers to long-simmering mysteries fast and furious in the series-concluding “Knights of the Old Republic” Issues 47-50 (2009-10). The author’s meticulous crafting of the plot pays off in this final arc, […]
With Zayne no longer hunted by Republic and Jedi officials, the focus of “Knights of the Old Republic” turns to Jarael in Issues 38-46 (2009). Earlier in the series, Jarael learned about her ancestry as an Arkanian […]
Nearly three full years into its run, “Knights of the Old Republic” finally wraps up the “framing of Zayne Carrick” arc. It’s satisfying in the sense that Zayne’s name is cleared and he can now move freely […]
Dark Horse editor Randy Stradley begins his introduction to the first trade-paperback volume of “Vector” (2008) by apologizing for the “crass commercialism” of the crossover project. But he needn’t have apologized. The idea of a story that […]