‘A Simple Plan’ (1993, 1998) chillingly shows how easily things can spiral
Book club book report (and movie review): Smith’s book and Raimi’s film show good people’s disturbingly mundane descent into evil.
Oscars
‘A Simple Plan’ (1993, 1998) chillingly shows how easily things can spiral
‘Ghost World’ (2001) gets more substantial on repeat viewings
Throwback Thursday (Movie review): The best movie of the first year of the millennium works on additional levels as time goes by.
‘Godzilla Minus One’ (2023) is Japan’s ‘Independence Day’
Movie review: Takashi Yamazaki’s character-driven prequel to 1954’s “Godzilla” illustrates the changing Japanese culture after WWII.
‘Suspicion’ (1941) a lesser companion piece to ‘Rebecca’
On a Hitchcock kick (Movie review): You usually can’t go wrong with Hitchcock, Grant and Fontaine, but “Suspicion” goes a little bit wrong.
Hitchcock’s ‘Lifeboat’ (1944) reminds us that Nazis are evil
On a Hitchcock kick (Movie review): One of Hitchcock’s most stripped-down movies is also among his least surprising.
Hitchcock improves on his own ‘The Man Who Knew Too Much’ (1934, 1956)
On a Hitchcock kick (Movie reviews): Hitchcock knew a lot more about moviemaking by the time he took a second crack at this story of an average family thrown into international intrigue.
Mix of romance, psychology, mystery leaves a viewer ‘Spellbound’ (1945)
On a Hitchcock kick (Movie review): The chemistry of Bergman and Peck propels this early filmic exploration of the human mind.
Hitchcock’s most overrated film is for ‘The Birds’ (1963)
On a Hitchcock kick (Movie review): Although perhaps impressive at the time, this natural disaster flick lacks the director’s usual suspense.
Hitchcock comes to America in style with ‘Rebecca’ (1940)
On a Hitchcock kick (Movie review): Arguably the director’s first perfect film, “Rebecca” is driven by an achingly sympathetic Joan Fontaine.
‘To Catch a Thief’ (1955) is a relaxing take on suspense
On a Hitchcock kick (Movie review): Though not his strongest collaboration with Grant nor Kelly, this is one of Hitch’s best films where romance is the point.