‘Veronika Decides to Die’ (2009) a small psych-ward gem
Throwback Thursday (Movie review): This under-the-radar release about a suicidal workaday woman might actually be Sarah Michelle Gellar’s best film.
Romance
‘To Rome with Love’ (2012) a funny batch of goofy skits
Woody Wednesday (Movie review): This is more like a day of vacation with Woody as a storyteller than it is a film. Hey, you could do worse.
‘Cassandra’s Dream’ (2007) mulls moral cost of murder
Woody Wednesday (Movie review): Although not as crisp as “Match Point,” this is a strong crime drama thanks to the brotherly bond of McGregor and Farrell.
Allen sticks around London for a sugar-free ‘Scoop’ (2006)
Woody Wednesday (Movie review): The previous year’s “Match Point” was so good that Allen can be forgiven a few middling trifles. “Scoop” is one of them.
Christie dives into romantic minds in ‘The Hollow’ (1946)
Sleuthing Sunday (Book review): “The Hollow” is Christie’s elite piece of character writing to this point. As a bonus, it’s a strong Poirot potboiler too.
‘Sisterhood of the Traveling Pants 2’ (2008) a lush sequel
Throwback Thursday (Movie review): The storylines are thin, but it’s nice to see these four talented actresses together again for a summer of adventures.
‘Irrational Man’ (2015) held back by the ‘rational’ world
Woody Wednesday (Movie review): Stone’s second Allen film is again only a middling entry, although it offers insights about relative morality.
Christie reflects on death in ‘Sparkling Cyanide’ (1945)
Sleuthing Sunday (Book review): One of Christie’s most cinematic novels shuffles the chronological approach but in other ways goes by the book.
SMG sticks with supernatural in ‘Return’ (2006), ‘Possession’ (2009)
Frightening Friday (Movie reviews): After “The Grudge,” Sarah Michelle Gellar sticks with supernatural horror in these two films from her period between “Buffy” and “Ringer.”
‘I’m Reed Fish’ (2006) is tasty small fry from great cast
Throwback Thursday (Movie review): A strangely stellar cast brings to life the quirky small-town semi-autobiography of one-and-done screenwriter Reed Fish.