‘People on Sunday’ (1930) explores human nature, cinema’s potential
Wilder Wednesday (Movie review): At the time, it was an experiment in using non-actors; today, it’s a time capsule of peaceful, pre-Hitler Germany.
Wilder Wednesday (Movie review): At the time, it was an experiment in using non-actors; today, it’s a time capsule of peaceful, pre-Hitler Germany.
Wilder Wednesday (Movie review): Hitting that dead spot between zany and predictable, “Kiss Me, Stupid” is another unfunny sex comedy from the Hays Code era.
Movie review: Though mainstream in many ways, the film boasts cleverness and subversiveness along with the always reliable Olivia Holt.
Wilder Wednesday (Movie review): The age gap is a talking point, but the real issue is this rom-com isn’t romantic or funny enough.
On a Hitchcock kick (Movie review): It’s Curtin’s for us if we try to get any pleasure from an adaptation that doesn’t feature Grant and Fontaine.
TV review: Despite a couple slow episodes, Dan Erickson’s show succeeds by being a character-driven puzzle box.
Wilder Wednesday (Movie review): This supposed satire of dishonest lawyering misfires by running the ball right up the middle.
Book club book report: Ann A. McDonald creates an invitingly mysterious campus, but does nothing remarkable with plot or characters.
Wilder Wednesday (Movie review): Stiffer than Wilder’s later masterpieces, his adaptation of Cain’s novel helps stamp a genre into public consciousness.
Sleuthing Sunday (Book review): Unpublished and under-published tales are rounded up from the author’s archives, but this is for serious fans only.