‘Teacup’ extends the ubiquity of Puzzle Box shows
First episode impressions (TV review): This short (?) and stout series is the latest in a genre with decreasing thrills and surprises.
Science Fiction
‘Teacup’ extends the ubiquity of Puzzle Box shows
‘Alien: Romulus’ is saga’s best follow-up since ‘Aliens’
Movie review: Alvarez reminds us of the pleasures of a legacy sequel done right as he taps into 1979 futurism while also respecting Scott’s glossy “Prometheus” concepts.
‘Jurassic Park’-style concepts don’t face ‘Extinction’ yet
Book review: Douglas Preston uses a Crichtonian concept as a launching point for a mysterious page-turner up to his usual standards.
In ‘Abbott and Costello Meet the Invisible Man’ (1951), vaudeville pair confronts the unseen
Frightening Friday (Movie review): It’s about invisibility, a pair of bumbling detectives, and hilarity. But mostly, it’s about boxing.
‘Shining Girls’ (2022): Make it make sense
Throwback Thursday (TV review): A shaky portrayal of a newspaper and even shakier time-travel logistics undercut nice design and good acting.
‘A.I. Rising’ (2018) a surprisingly splendid sexbot story
Throwback Thursday (Movie review): Critics have compared it to “Ex Machina,” but a more interesting comparison might be made to “Cast Away.”
‘Space Cadet’ launches an underachiever into … space!
Movie review: “Houston has a new problem.” Only Emma Roberts’ party girl is not a problem, she’s a heroine. And a funny one at that.
‘A Princess of Mars’ (1912) crumples under weight of what came later
Throwback Thursday (Book review): But readers interested in the chain of imaginative writings that led to “Star Wars” will want to check out Burroughs’ classic.
‘A Quiet Place: Day One’ is No. 1 among the trilogy
Movie review: While the mythology doesn’t expand much, this “I Am Legend”-esque prequel serves up sympathetic silent survivors.
‘Spaceballs’ (1987) remains a pitch-perfect parody of ‘Star Wars’
Throwback Thursday (Movie review): The makers of “Spaceballs 2” will have their work cut out for them as they follow Mel Brooks’ classic.