Sentimental ‘Starman’ (1984) shows the softer side of Carpenter
Throwback Thursday (Movie review): The director’s only theatrical film that’s not action or horror is openly sentimental and hard to dislike.
Science Fiction
Sentimental ‘Starman’ (1984) shows the softer side of Carpenter
‘Monarch: Legacy of Monsters’ Season 2 has Monsterverse’s best characters
TV review: Kurt Russell and other skilled actors mesh well with the special effects for a surprisingly engaging expansion of the saga.
Collins steps up his tie-in game in ‘Dark Angel: Skin Game’ (2003)
‘Dark Angel’ flashback (Book review): The author hits on a remarkable number of issues of the real 2020s as Max embraces her leadership role.
‘Ghosts of Mars’ (2001) will have Carpenter fans seeing red
Frightening Friday (Movie review): The director finds no signs of life among his lead actors in this sci-fi riff on “Assault on Precinct 13.”
‘Dark Star’ (1974) smartly but too slowly makes fun of ‘2001’
Throwback Thursday (Movie review): A bare expansion of a student film from Carpenter and O’Bannon, this SF satire previews the grimy futures to come.
‘Volcano’ (1997) not groundbreaking, but it’s a hot time at the movies
Throwback Thursday (Movie review): The lava CGI still looks good, and while you might not erupt with applause, you’ll wish all city officials were like Jones and Heche.
‘Undertone’ makes small scares into a big deal
Movie review: This Canadian film gets a lot out of a little, with new angles into supernatural horror and cinematographic cliches.
Not the peak of disaster films, ‘Dante’s Peak’ (1997) nonetheless sizzles
Throwback Thursday (Movie review): The chemistry between Brosnan and Hamilton is almost as hot as the lava.
Damn, ‘Village of the Damned’ (1995) is bad
Frightening Friday (Movie review): Carpenter made the best horror remake of all time in “The Thing” … and later he made one of the worst.
Carpenter, Hooper serve up a good supply of ‘Body Bags’ (1993)
Frightening Friday (Movie review): Good actors – and acting cameos from horror directors – keep these three shorts engaging.