Superhero fatigue? What superhero fatigue? In the 2010s, the Marvel Cinematic Universe completed the Infinity Saga, essentially a 22-episode TV season except with mega-budget movies. Now it is 15 episodes into “Season 2,” the Multiverse Saga. While it has been more of a mixed bag, and superhero fatigue is suggested to explain every film that loses money, two have hit the $1 billion mark worldwide (“Spider-Man: No Way Home” and “Deadpool & Wolverine”), joining nine Infinity Saga films to reach that milestone.
The fatigue might be more from having so much to choose from (Disney Plus’ TV offerings have exploded in this decade) than a massive drop in quality. In my opinion, three of the elite MCU films come from the 2020s. Granted, we do start with a recently achieved low point in my rankings of the 37 MCU movies so far. But don’t worry, it gets better fast. (Click on each title for a full review.)
(This post is revised and updated from a July 5, 2018, post ranking the first 19 MCU films. “Ant-Man and the Wasp” and “Captain Marvel” added in April 2019. Updated in August 2021 to add “Avengers: Endgame,” “Spider-Man: Far From Home” and “Black Widow.” Updated in December 2025 to add the next 13 movies.)
37. “The Fantastic Four: First Steps” (2025)
It’s a testament to the general high quality of the MCU that my pick for the worst film should, in my opinion, be nominated for a Best Production Design Oscar. The crew beautifully designs the quartet’s Earth-828 like a comic from early in their run, with pastels and Sixties round-furniture futurism. This is a good use of the multiverse, as the FF can simultaneously be the only superheroes on their Earth and helpers on “our” Earth in later films. But the story is a boring and stupid retread of the “Spaceballs” conflict, and a good actress, Julia Garner, is lost behind Silver Surfer makeup.
36. “Iron Man 2” (2010)
The only Infinity Saga film that completely misses the mark, it repeats the plot of the original “Iron Man” in the way lazy sequels did in decades long past. Tony Stark (Robert Downey Jr.) again fusses with damage to his suit’s energy source and again fights an evil doppelganger (well, two of them, since he and War Machine are also quibbling over something). Standout actors Sam Rockwell and Mickey Rourke can’t raise the level, but there is a saving grace: Scarlett Johansson’s Black Widow is introduced in all her badass martial-arts glory.
35. “The Marvels” (2023)
Three women who more or less go by the name Marvel are brought together for an indecipherable adventure that nearly qualifies as fun. The film is an indication of how frustrating it must be for Disney to predict hits: “Captain Marvel” grossed over $1 billion and this sequel lost over $100 million against its budget. Granted, the word of mouth was deservedly bad, as we don’t even know why Brie Larson’s Captain Marvel is brooding; it’s like a whole movie took place in between that we didn’t get to see. Young Ms. Marvel (Iman Vellani), coming over from TV, is filled with excitement at meeting her idol, and that almost transfers to the viewer.
34. “Black Panther: Wakanda Forever” (2022)
It’s a little bit of a wake for the O.G. Black Panther (the late Chadwick Boseman); a little bit of a “Star Wars”-ian internal struggle for Riri (Dominique Thorne), sort of the new Iron Man; and a little bit of a commentary on nations’ thirst for oil (with vibranium as a stand-in). The movie is production-designed to the hilt as the underwater seahorse-riding Talokans, led by Namor (Tenoch Huerta Mejía), go to war with Wakanda. It’s depressing that soldiers are dying because of Namor’s and Shuri’s (Letitia Wright) personal issues. Not the greatest way to honor T’Challa, and as it cruises past the 2:30 mark, the film is less escapism and more “I want to escape it.” But I can’t say it doesn’t reflect real international politics.
33. “Eternals” (2021)
Sometimes the MCU writes itself into a corner to see if it can get out of it. Jack Kirby’s 1970s comics about long-lived demigods was never respected for its story or characters, but can an Oscar-winning director/co-writer (Chloe Zhao) make something out of it? Well, the intellectual question in place: Why did these 10 superhumans never stop any genocides, including that of Thanos? No good reason that I can see. But they seem like decent-hearted demigods, so I trust they’re simply working in mysterious ways. As the narrative is told out of order and the heroes don’t age, the story sometimes uses confusion as a replacement for genuine import. The film is a weighty but interesting experiment.
32. “Thor” (2011)
Chris Hemsworth and Natalie Portman seem game for a fish-out-of-water comedy (or god-out-of-Asgard comedy, as it were). But aside from a few moments – such as Thor slamming down a beverage cup in a diner and demanding another – the film doesn’t capitalize. The thing that most rubs me the wrong way, though, is how S.H.I.E.L.D. Agent Coulson (Clark Gregg) aggressively steals Jane’s research into the extraterrestrial anomaly rather than simply working with her. It’s not his finest hour, to say the least.
31. “Captain America: Brave New World” (2025)
Seventeen years later, we get a secret sequel to the dangling storylines seemingly forgotten from “Incredible Hulk.” That’s a pretty neat bit of continuity. A game Harrison Ford (taking over for the late William Hurt) plays President Ross, initially as a parallel to controversial figures like John Bolton, Anthony Fauci and President Trump. But eventually the film goes into an alternate reality where the politician questions whether he’s doing the right thing. Anthony Mackie, as Falcon-turned-Captain-America, might be wondering if he did the right thing taking over for Chris Evans. He’s a likeable lead, but he gets shoddier material than the previous Cap.
30. “Doctor Strange and the Multiverse of Madness” (2022)
This “Strange” sequel is the biggest victim – or beneficiary, if you look at it differently — of the MCU’s 2020s policy wherein the Disney Plus TV shows will sometimes factor into the continuity. Wanda/Scarlet Witch (Elizabeth Olsen) is suddenly a villain, jarring if you missed “WandaVision.” Some of the best superhero stories involve the multiverse, and Strange (Benedict Cumberbatch) and his grand expositional pronouncements are at home in it. And Sam Raimi’s film hasn’t forgotten who the title character is; we explore how he’s a genius at weird science yet a novice at the ways of the heart. Oddly, although the fate of all reality hangs in the balance, and we get a hint at how the X-Men might join “our” Earth, this is among the MCU’s less thrilling multiversal jaunts.
29. “Avengers: Age of Ultron” (2015)
Writer-director Joss Whedon’s second go-around in the MCU is hampered from the get-go by a villain problem: Despite a game vocal performance by James Spader, Ultron is just the latest repeat of sentient-computer fears that date back to the HAL-9000. Another problem is that while Tony creates Ultron through his own hubris in classic Dr. Frankenstein fashion, he learns no lesson from this, nor is the film interested in teaching him a lesson. And even the jokes don’t land like they usually do. “Hide the zucchini”? Really?
28. “Thor: Love and Thunder” (2022)
Director/co-writer Taika Waititi, who uses his own character of Korg the rock man as the narrator, brought the fun to “Thor” in the third film and proceeds to go too far in this fourth one. Again, course correction is the theme: We get a bit of the Guardians, who we hadn’t seen in a while, and a ton of Jane Foster (Portman), who had been wrongly absent for too long. She now suddenly has the same powers as her ex, Thor. I would’ve liked more of Kat Dennings’ Darcy, but nobody asked me. What we do get is an arena rock show turned into an MCU film. Not bad, but the director is having more fun than we are.
27. “Shang-Chi and the Legend of the Ten Rings” (2021)
This may be a case of box-checking – give Chinese-Americans their MCU epic – but it’s slick and smart box-checking. The leads are Asian (Simu Liu and welcome comic relief Awkwafina) and the film is filled with martial-arts traditions, dragons and the titular lore. That’s a contrast from 1974’s other Marvel Comics martial-arts launch, “Iron Fist,” about a white savior. The MCU also takes the opportunity to make the villain the true Mandarin, while also having fun with “Iron Man 3’s” fake Mandarin (the returning Ben Kingsley as more comic relief). Fights on a bus and scaffolding stand out, but the plot and final battle are standard. The film was a big worldwide money-maker, so it’s odd that Disney doesn’t seem to be rushing out the sequel.
26. “Iron Man” (2008)
Downey Jr. is perfect as the arrogant-but-likeable Tony, and it’s refreshing to see a military industry magnate reject the old ways and use his wealth and technical brilliance for good. But viewed today, the structure of this debut MCU entry is strikingly standard, as Iron Man essentially fights his own doppelganger in the final “Transformers”-type battle. There’s an air of cautious filmmaking throughout as we wait for the next moment of seeing what Tony’s amazing suit can do.
25. “The Incredible Hulk” (2008)
I’m a proud apologist for this film, which boasts the MCU’s most heartfelt love story – that of Edward Norton’s Bruce Banner and Liv Tyler’s Betty. The relationship hasn’t been revisited, but it still subtly informs the character of the brooding Hulk, who – in classic beastly superhero fashion – believes he’s too dangerous to let people get close. The film has impressive locations, from the slums of Brazil to the lived-in streets of New York City. On the down side, the special effects aren’t as good as the high standards that later MCU films would achieve, and the villains (especially the anti-Hulk) are generic.
24. “Ant-Man and the Wasp: Quantumania” (2023)
The Pym-Lang family bond, combined with colorful backgrounds in the Quantum Realm, make me like this third “Ant-Man” more than I perhaps should. Paul Rudd, in addition to being the ultimate Nice Guy actor, continues to carry this saga. He interacts with the third (!) actress to play his daughter Cassie, Kathryn Newton, but the relationship carries over well. The denizens of the tiny world are underdeveloped, and Bill Murray delivers an inexplicable cameo, but it’s nice to see Michelle Pfeiffer prominent in this adventure. Jonathan Majors’ Kang has a resigned-villain quality that intriguingly reminds me of The Operative in “Serenity,” although he has since petered out of the MCU.
23. “Doctor Strange” (2016)
The MCU’s first step into the mystical realm, via the origin story of Cumberbatch’s grumbly medical-doctor-turned-mystic-artist, is a visual companion piece to the dreamscape epic “Inception.” It boasts gravity-defying fights on shifting surfaces, and the grand finale hinges on time manipulation. The notion that magic can be used for good or evil is familiar, but as “Guardians of the Galaxy” does for outer space and “Ant-Man” does for the quantum realm, “Doctor Strange” does for the mystic plane. It’s one of the most accessible “weird” movies ever made.
22. “Captain Marvel” (2019)
Larson’s Carol/Captain Marvel is in fine form as the first solo female lead of an MCU film, and she pairs well with Samuel L. Jackson’s Nick Fury, the latest character to benefit from flawless de-aging computer effects in this 1995-set entry. The (not quite) Skrull villain, played by Ben Mendelsohn, is refreshingly relatable, and the reveal of the cat Goose’s true nature is delightful. Carol’s bizarre comic-book backstory and ill-defined superpowers remain convoluted as she jumps to the big screen, but she’s a welcome addition in “Endgame’s” battle against Thanos.
21. “Guardians of the Galaxy” (2014)
You have to be in the right mood for this one, which throws together an Earth abductee, a green-skinned hottie, a talking raccoon (who doesn’t know what a raccoon is), a monosyllabic tree and a vengeance-seeking muscleman. I wasn’t ready on my first viewing, but I appreciated it more on my second as a celebration of those four-color Marvel comics of the 1970s – an era the soundtrack smartly evokes. It’s also a crucial entry for expanding the MCU from the confines of Earth to a galactic stage, with Chris Pratt’s Star-Lord being a lovable audience surrogate on this journey to new planets and new perils.
20. “Ant-Man” (2015)
Sometimes a lighter movie can be refreshing as you’re working your way through the MCU. I found that to be the case with “Ant-Man,” about a Robin Hood wannabe (Rudd’s title character) whose theft of Hank Pym’s (Michael Douglas) amazing suit soon has him bumbling along an origin-story path. The film achieves the tricky task of explaining how Ant-Man can shrink and grow through judicious use of the suit’s powers, and how he can use discs to make other objects change size. Hank’s daughter (Evangeline Lilly) being on the bench is a bad look for a gender-imbalanced saga, but that gets rectified in the sequel.
19. “Thor: The Dark World” (2013)
I find myself an apologist for this second “Thor” entry, which starts slow and has a bland placeholder for a villain but ultimately becomes a ton of fun. A big reason is Dennings, who shows effortless comedic chops as Darcy, a scientist bemused by the insane extraterrestrial battle that Thor has brought with him from the magical space lanes (“Mew-mew!”). This sequel gives hopeless romantics the across-the-stars love story of Thor and Jane, but – after she dutifully plays the damsel in distress role – ultimately allows Jane to save the day.
18. “Guardians of the Galaxy Vol. 2” (2017)
I was won over by this one more so than the original, as it finds a comfortable balance between silliness and action. Sometimes the balance is found within a single sequence; for example, we feel the tension of the Guardians’ escape from a starfighter squadron even as we chuckle at those starfighters being operated like a video game. Mantis (Pom Klementieff) and Drax (Dave Bautista) are delightfully weird as an arguably Asperger’s-afflicted pair and Kurt Russell personalizes the proceedings as Star-Lord’s father, but the conclusion finds emotional depth from an unexpected source. (And FYI, Rocket, “trash panda” is worse … it’s so much worse.)
17. “Avengers: Infinity War” (2018)
This 2.5-hour epic doesn’t feel that long. It smoothly bounces between our diverse groups of heroes – from Earth-bound to spacefaring – in a veritable celebration of the MCU to this point. Their common goal is to take down Thanos (Josh Brolin), who aims to eliminate half of the galaxy’s population in an insane attempt to reset the ledger of resources. The film is certainly funny, especially when Star-Lord is measuring himself against Thor or when Drax is trying to be invisible, but the sense of impending dread is never far from our minds.
16. “Ant-Man and the Wasp” (2018)
In this sequel, the filmmakers master the action scenes where things can get big or get small with the press of a button. Lilly’s Wasp becomes the long-overdue first female to get title billing in an MCU film, and she has an easy chemistry with Rudd’s Ant-Man, whether they are talking or being a superhero duo. Amid the steady light humor — like Michael Pena’s Luis bringing back the Budweiser “Whasaaaa!” – this is a wild chase film that ends up in the quantum realm yet still makes logical sense (within its internal logic, at least).
15. “Black Widow” (2021)
The solo entry for Natasha (Johansson) should’ve come out five years earlier (which is when the primary action is set), but I’m glad they made this film rather than saying “We missed our chance.” It’s perhaps inevitable that the title character (whose fate we know from “Endgame”) takes a back seat to supporting players who can continue into future stories. Particularly stealing the show in this comic-book riff on TV’s “The Americans” are David Harbour as Natasha’s adoptive dad, a.k.a. the Red Guardian, and Florence Pugh as adoptive sister Yelena. The close-up fights are too blurry and the finale is over-the-top considering that most of these people are merely well-trained, not literally superpowered. But the comedy (including a jab at the “three-point stance”) and interplay keep this ride fun.
14. “Black Panther” (2018)
The most gorgeous piece of world-building in the MCU brings us to the African nation of Wakanda, which has such amazing technology that the whole country is able to hide behind an invisible barrier. It shields its scientific genius, military might and mining-industry wealth from the world, a delicate commentary on both the tragedy of isolationism and the intelligence of avoiding imperialist overreach. Boseman’s titular hero is easy to root for as he navigates cultural tradition and personal morality, and he’s surrounded by lovable allies such as his kid-sister tech genius, Wright’s Shuri.
13. “Captain America: The First Avenger” (2011)
Cap’s introductory film is a rare MCU period piece that captures the simpler time of a “good” war, as the U.S. military takes on Nazis – and, this being a comic-book film, Hydra. Although Joe Johnston directs the movie in the style of nationalist propaganda, it’s ultimately a take-down of that very mode of thought. Cap becomes disillusioned by his role as a red-white-and-blue symbol that’s so blunt even the soldiers themselves think he’s absurd. He ultimately becomes a legitimate symbol when he leads those same men on a daring rescue mission.
12. “Deadpool & Wolverine” (2024)
I might tell myself I’m not a big Deadpool fan, but Ryan Reynolds’ character always entertains me, and now that he’s brought in Hugh Jackman from the “X-Men” universe (it’s technically not the same Wolverine, but we’re asked to not think about it), it’s hard to resist this third “Deadpool” film. The Merc with a Mouth’s MCU debut is made possible by the Time Variance Authority. This also allows for an awesome one-off villain in The Void, Cassandra Nova (Emma Corrin), who has the cool but gross ability to stick her hands inside people’s heads. There have been more emotional uses of the multiverse, but when The Void unleashes a defunct-superhero-timeline cameo for each of Deadpool’s F-bombs, it’s never been more fun.
11. “Avengers: Endgame” (2019)
This is the first movie in history where you can miss the first 90 minutes and not be lost. But things kick into gear when “New York, 2012” fills the screen and we get awesome repurposed moments from the first “Avengers” and “Thor: The Dark World.” They push “Endgame’s” story forward while also launching new TV shows such as “Loki.” Then we get a final hour that’s like the imaginations of Kirby, Stan Lee and other Marvel Comics legends spill onto the screen. Amid this “all for one, one for all” battle against Thanos, we zoom in on individuals such as Iron Man, Captain America and Black Widow. “Endgame” is a rare blockbuster film that has real endings for major characters.
10. “Spider-Man: Far From Home” (2019)
Though not as great as the first Tom Holland Spidey flick, “Far From Home” gets the post-“Endgame” era off to a fun and intriguing start. It’s the opposite of a typical superhero film: The personal stuff is engrossing and the action is standard. The fledgling relationship between Peter and Zendaya’s MJ is super-cute, and the romance between chubby nerd Ned (Jacob Batalon) and bossy Betty (Angourie Rice) hits the rom-com sweet spot. J.B. Smoove and Martin Starr add natural humor as chaperones on the school trip to Europe. Mysterio’s (Jake Gyllenhaal) fake-news spin on Spidey is frustrating (people won’t be fooled, will they?) but also timely, as is his expert use of drones.
9. “Spider-Man: Homecoming” (2017)
In 2002, Spider-Man was the A-lister and Iron Man was the B-lister. The perception of these superheroes has since flipped, and “Homecoming” uses that to its advantage. It works a teenagers’ point of view into the MCU movies for the first time via Holland’s Spidey, who grows up on the job: rescuing classmates, getting ribbings from his mentor Iron Man, and – scariest of all – asking a girl to the dance. Unlike in 2002’s “Spider-Man,” we get a strong sense of why Peter Parker can do more good on the city streets if his identity is secret.
8. “Thor: Ragnarok” (2017)
This one is just plain fun. It starts with Thor breaking out of a trap to the strains of Led Zeppelin’s “Immigrant Song,” and later features a Thor-versus-Hulk (Mark Ruffalo) arena battle, a chase across waters and reefs featuring colorful ships and lasers, a great new ally in Tessa Thompson’s Valkyrie, and a delicious scenery-chewing villain – Jeff Goldblum playing, um, Jeff Goldblum. The movie is so entertaining it makes me forget that Jane and Darcy are no longer around, and I’m possibly the world’s biggest fan of Jane and Darcy.
7. “Iron Man 3” (2013)
Writer-director Shane Black’s love-it-or-hate-it entry is, to me, a perfect encapsulation of Tony’s character even as it throws new challenges at him. As he tellingly develops autonomous suits, Tony grapples with his brush with death in the Battle of New York, his crumbling relationship with Pepper (Gwyneth Paltrow), a kid who needs his help … and one of the MCU’s best villains. No, not the Mandarin, but just a regular guy in sensible tan slacks (Guy Pearce) who – unlike most comic-book villains – is able to adjust his scheme on the fly and use the world’s state of terror to his advantage.
6. “Guardians of the Galaxy Vol. 3” (2023)
Move over “Bambi.” James Gunn delivers a new winner among tear-jerking tales of anthropomorphic animals. Everyone’s favorite complaining trash panda (hey, he hates being called the R-word), Rocket (voiced by Bradley Cooper and mo-capped by Sean Gunn), gets his backstory told in the writer-director’s final “Guardians” go-around. “G3” has several “Serenity” parallels, including the rickety haven outpost of Knowhere, a substantial and humorous role for Nathan Fillion, and a plot about central planning of human nature. I resent none of Gunn’s borrowing since I’m caught up in the neurodiversity and trauma of this other band of misfits trying to make their way.
5. “Captain America: Civil War” (2016)
That it came on the heels of “Batman v Superman” only enhances this film’s wise realization that audiences don’t just want superheroes to throw down like in a video game; we need to know the reasons why they are fighting. Writers Christopher Markus and Stephen McFeely and directors Anthony and Joe Russo – the Infinity Saga’s A-listers – nicely outline the points of view of Iron Man’s team, which believes it’s the correct PR play to toe the line with government officials, and Cap’s team, which knows it can do the most good if it is autonomous.
4. “The Avengers” (2012)
The most perfect comic-book superhero team-up movie ever made up to that point, “Avengers” doesn’t merely feature Whedon’s knack for banter among allies. It also demonstrates his deep understanding of Iron Man, the Hulk, Captain America, Thor, Black Widow and Hawkeye (Jeremy Renner) – and how they work with the established structure of S.H.I.E.L.D. Some of the introductory films for these characters were shaky, but this epic makes a case that the Avengers are better together than apart.
3. “Captain America: The Winter Soldier” (2014)
This beautiful crystallization of Captain America’s character smartly weaves post-9/11 political issues into the narrative while also being a kick-butt actioner. Cap stands up for individual rights while Robert Redford’s villainous senator aims to pinpoint insufficiently loyal citizens with laser weapons in the ultimate wrongful use of metadata. Putting a personal spin on matters is Cap’s titular friend (Sebastian Stan), who has been brainwashed to become a killing machine for Hydra.
2. “Thunderbolts” (2025)
Writer Eric Pearson and director Jake Schreier make this whole film into a discovery. The first mystery is why have all these assassins been sent to the same place, all targeting one of the others? It’s a sturdy structure for building unexpected friendships among these troubled people, led by Pugh as Yelena, Black Widow’s sister. The actress could probably find chemistry with anyone, but it’s nice to see Stan (as the Winter Soldier), Wyatt Russell and others round out the sextet. Just when the film seems to introduce a cliched villain, a great astral-plane sequence takes over. In the end, we have the New Avengers, but not as rubber-stamped as the old ones, and paired with an intriguing question for future films: Can they de-corrupt a government from the inside?
1. “Spider-Man: No Way Home” (2021)
Few modern films have the power to surprise, but before 2021 it seemed unlikely that a studio would so precisely give fans what they want: in this case, a Spider-verse story with Holland, Tobey Maguire and Andrew Garfield. The reasons for there being three 21st century Spider-Men are crass and commercial, but in director Jon Watts’ movie it’s all about their lots in life as individuals (who have found cousin-like commonalities). Rather than a parade of “Hey, remember that guy?” appearances, everyone’s arc continues. With a gross of nearly $2 billion, “No Way Home” locked in multiverse stories the same way “Star Wars” locked in blockbuster storytelling, but it’s worth it. Who would’ve thought Alfred Molina’s Doc Ock would return for an even better entry than “Spider-Man 2”?