‘Evil’ Season 2 (2021) down-to-earth and deliciously demonic
Frightening Friday (TV review): Ironically, its grounding in reality makes “Evil” one of TV’s best supernatural series. Here’s my look at Season 2.
Author: John Hansen
‘Evil’ Season 2 (2021) down-to-earth and deliciously demonic
Branagh delivers lavish adaptations of ‘Murder on the Orient Express’ (2017), ‘Death on the Nile’
Sleuthing Sunday (Movie reviews): Kenneth Branagh makes Poirot into a broad cinematic character. It’s not for purists, but the approach grew on me.
‘Firestarter’ (1980) burns its characters into our minds
Stephen King flashback (Book review): “Firestarter” burns brighter than the superpower genre norm by making us care deeply for Charlie McGee and her dad.
‘Everything Everywhere All at Once’ needed another editing pass
Movie review: Despite the heartfelt messages at its core, this creative SF comedy is undone by its bombastic style and length.
Preston, Child dig up Roswell incident in ‘Diablo Mesa’
Book review: Nora and Corrie are together again, this time investigating one of the most famous mysteries in US history: the 1947 Roswell event.
Spy-murder mashup ‘The Clocks’ (1963) is worth your time
Sleuthing Sunday (Book review): Christie’s playfulness is on display in “The Clocks,” where she gets amusingly cynical about the spy state.
‘A Return to Salem’s Lot’ (1987) a sequel that sucks
Stephen King flashback (Movie review): The popular miniseries gets a film sequel. But it has little in common with the original beyond its name.
Christie, Marple still sharp in ‘The Mirror Crack’d’ (1962)
Sleuthing Sunday (Book review): The author and her detective lament the new Development near St. Mary Mead, but crime-solving principles remain unchanged.
‘Salem’s Lot’ miniseries (1979) sucks life out of King’s book
Stephen King flashback (TV review): King adaptations have a proud history in the miniseries format, but the first one doesn’t stand the test of time.
‘Ordeal by Innocence’ (1958) badgers the bystanders
Sleuthing Sunday (Book review): Agatha Christie shows that when everyone is a suspect, the guilty person catches a break, and the innocent suffer.