‘Poirot’ skillfully adapts three novels in Season 4 (1992)
Sleuthing Sunday (TV review): The show momentarily sets aside short stories to tackle “The ABC Murders,” “Death in the Clouds” and “One, Two, Buckle My Shoe.”
Author: John Hansen
‘Poirot’ skillfully adapts three novels in Season 4 (1992)
‘Spaceballs’ (1987) remains a pitch-perfect parody of ‘Star Wars’
Throwback Thursday (Movie review): The makers of “Spaceballs 2” will have their work cut out for them as they follow Mel Brooks’ classic.
Hitchcock takes a swing at boxing in ‘The Ring’ (1927)
On a Hitchcock kick (Movie review): This silent film has some light comedic punch as it chronicles rivals for a title belt and a woman’s affections.
‘Kingdom of the Planet of the Apes’ goes bananas with character creation
Movie review: Kevin Durand and Peter Macon are especially great as the “Apes” saga launches a new dystopian storyline.
Suchet’s ‘Poirot’ gets classier in Season 3 (1990-91)
Sleuthing Sunday (TV review): Along with 10 short-story adaptations, this lavish season features an outstanding translation of Christie’s debut novel.
‘Behind the Mask: The Rise of Leslie Vernon’ (2006) a smart but thin satire
Frightening Friday (Movie review): This B-grade slasher answer to “American Psycho” can only ride its single joke so far.
‘The Good Girl’ (2002) illustrates danger of obsession with one person
Throwback Thursday (Movie review): Mike White riffs on “Catcher in the Rye,” but this Holden’s worldview is tragically narrower.
‘Young and Innocent’ (1937) a simpler, sweeter ‘39 Steps’
On a Hitchcock kick (Movie review): Hitchcock tackles a story similar to “The 39 Steps” in a would-be star-making turn for Nova Pilbeam.
‘Running Grave’ (2023) is Rowling’s literal cult classic
Sleuthing Sunday (Book review): Robin shows there’s almost nothing she wouldn’t do for the sake of this job as she goes undercover in a powerful but secretive church.
‘A Simple Plan’ (1993, 1998) chillingly shows how easily things can spiral
Book club book report (and movie review): Smith’s book and Raimi’s film show good people’s disturbingly mundane descent into evil.