‘Daredevil’ gets ‘Born Again,’ and he’s not overly Disney-fied
TV review: The lessened fight-choreography budget is a shame, but a lot of what we liked about the Netflix series gets resurrected.
TV review: The lessened fight-choreography budget is a shame, but a lot of what we liked about the Netflix series gets resurrected.
Book review: The case is almost too complex. But thanks to an omniscient narrator, the romance is deceptively simple in Rowling’s eighth Strike novel.
Movie review: The retro-futurism production design is on point, and so is the acting, but the story is overblown and flat.
TV review: Never losing sight of his makeshift family, Gunn also uses multiverse portals to indicate how the DCU is both a continuation and a fresh start.
Movie review: The saga’s emphasis on the investigators rather than the documented case is starting to become a bit much in the fourth entry.
Movie review: While the interview subjects and home-video footage make Colin Hanks’ documentary a love-fest, I don’t detect any dishonesty.
TV review: By being the strangest and most daring of 2020s uplifting sports redemption fiction, it’s also the strongest entry.
TV review: Being real without being too depressing, this “Office” spinoff is blessed by wonderful character creations and cast chemistry.
Book club book report: Beyond the standard mystery lies an existential one: How good could this novel have been if it was copy-edited?
First episode impressions (TV review): Driven by stellar performances, the Hulu miniseries is among the fall’s best shows.