Trachtenberg expands ‘Predator’ mythos in ‘Killer of Killers’
Movie review: The violent saga goes the animated – but not kid-friendly – route in this triptych that cleverly combines the tales.
Action
Trachtenberg expands ‘Predator’ mythos in ‘Killer of Killers’
‘Hawkeye’ (2021) unleashes Christmas spirit and awesome arrows
Superhero Saturday (TV review): Though Clint Barton never got a solo movie, this six-episode series is an even better deal, as it allows Jeremy Renner and Hailee Steinfeld to act.
‘The Package’ (1989) theorizes a thrilling end to the Cold War
Throwback Thursday (Movie review): The complex plot might drive off some, but Hackman and Jones make this a stealth alternate Christmas offering.
‘Daredevil’ gets ‘Born Again,’ and he’s not overly Disney-fied
TV review: The lessened fight-choreography budget is a shame, but a lot of what we liked about the Netflix series gets resurrected.
A century of suspense: All 52 Alfred Hitchcock films, ranked
Movie list: One hundred years after his first silent film, we rank the cinematic catalog of the Master of Suspense.
‘Poseidon Adventure’ (1972): When playing follow-the-leader, pick wisely
Throwback Thursday (Movie review): The Gene Hackman-starring, Irwin Allen-produced film influenced the next wave of ocean-based disaster movies.
‘Fantastic Four: First Steps’ is a fantastic bore
Movie review: The retro-futurism production design is on point, and so is the acting, but the story is overblown and flat.
Gunn’s ‘Peacemaker’ Season 2 is no joke, despite a lighter tone from the DCEU days
TV review: Never losing sight of his makeshift family, Gunn also uses multiverse portals to indicate how the DCU is both a continuation and a fresh start.
‘Collateral’ (2004) injects intimate moral philosophy into a crime thriller
Throwback Thursday (Movie review): Standout turns by Tom Cruise and Jamie Foxx make a relatively small, inconsequentially plotted film into a big deal.
‘The Running Man’ (1987) charges ahead to a dystopian future
Stephen King flashback (Movie review): The Eighties aesthetic is a core appeal of a film that gradually moves from satire to accurate portrayal as time goes by.