‘Big Trouble in Little China’ (1986) falls a little short of big laughs
Throwback Thursday (Movie review): The least serious of John Carpenter’s collaborations with Kurt Russell is a lesser “Temple of Doom.”
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‘Big Trouble in Little China’ (1986) falls a little short of big laughs
DC Universe’s Supergirl is a hot mess; ‘Supergirl’ 2026 isn’t quite
Movie review: Milly Alcock plays the most troubled Supergirl to grace the screen in a film that tries too hard.
Aletheia Preston shows same penchant for thrills as dad in ‘Paradox’
Book review: Father and daughter team up to continue Douglas Preston’s Cash & Colcord series that started with “Extinction.”
Marlowe ages well in ‘Black-Eyed Blonde’ (2014), not so much in ‘Marlowe’ (2022)
Sleuthing Sunday (Book and movie reviews): Benjamin Black pens an elite pastiche novel, but the adaptation continues filmdom’s weird obsession with older Marlowes.
‘Trial of the Incredible Hulk’ (1989) paints the courtroom green
Superhero Saturday (Movie review): The Hulk meets Daredevil in the second of three TV films that followed the hit series.
Korean film ‘The Great Flood’ (2025) is genuinely great
Movie review: Kim Byung-woo’s Netflix disaster film hits us with action right away but ends up a moving piece about people.
‘Pendergast: The Beginning’ mucks through swamp-minds of insane villains
Book review: Preston & Child deliver their first Pendergast prequel, and reveal he’s always been who he is. But would we have it any other way?
‘Executioners’ (1957), ‘Cape Fear’ (1962, 1991) explore limits of modern law
Throwback Thursday (Book and movie reviews): MacDonald’s novel is surprisingly tame, the first movie keeps the censors occupied, and Scorsese’s version finally delivers the shocks.
‘Marlowe’ (1969) brings the detective into the Swinging Sixties
Sleuthing Sunday (Movie review): James Garner starts his private eye career in this adaptation of “The Little Sister.”
Carpenter quietly makes mark with ‘Assault on Precinct 13’ (1976)
Throwback Thursday (Movie review): The director’s style-over-story-details approach is present in his first major film.