‘The Immortalists’ (2018) examines life through lens of death
Book club book report: Come for the hook (a fortune teller predicts death dates) but stay for the four siblings’ journeys through life.
Author: John Hansen
‘The Immortalists’ (2018) examines life through lens of death
‘Night of the Hunter’ (1955) is influential … but is it good?
Throwback Thursday (Movie review): Ingenious or merely experimental, it can’t be denied that Charles Laughton’s only directorial work made its mark.
‘Under Capricorn’ (1949) rightly buried under Hitchcock’s suspensers
On a Hitchcock kick (Movie review): Being a costume drama, this slice of Australian history is rare among his catalog. Unfortunately, that doesn’t make it good.
‘Smile 2’ is worth a smirk as it illustrates celebrity stress
Movie review: Writer-director Parker Finn’s sequel is a middling entry among 2024’s horror films set in the world of pop stardom.
Doyle tires of his detective in ‘Memoirs of Sherlock Holmes’ (1894)
Sleuthing Sunday (Book review): Tiring of his creation, Doyle “kills off” Holmes in “The Final Problem.” (Don’t worry. He’ll be back.)
‘Three Days of the Condor’ (1975) provides holiday-season conspiracy chill
Throwback Thursday (Movie review): Other than an infamously bad romance subplot, this is another top-shelf Seventies paranoia thriller.
‘Bad Boys: Ride or Die’ a fine continuation, with some gator aid
Movie review: Not as funny as it could be, not as big as other action franchises, this fourth “Bad Boys” film still manages to be a brisk diversion.
Old Hollywood meets film noir in ‘Paradine Case’ (1947)
On a Hitchcock kick (Movie review): The director closes out his pre-color period with a moody courtroom drama that’s not as strong as it could’ve been as a mystery.
‘Deadpool & Wolverine’ is the (F) bomb – but not due to its gratuitous nature
Movie review: The swearing- and violence-based comedy is a bit much, but Emma Corrin and Hugh Jackman provide great acting and character arcs.
‘Twisters’ a thrilling legacy sequel with new twists
Movie review: This follow-up to one of the highlights of the 1990s disaster-flick boom effectively sweeps us back to that heady time.