Paquin’s ‘Darkness’ (2002) an artistic mood piece
Frightening Friday (Movie review): Fans of later gems such as “Hereditary” might want to peek into “Darkness,” a wrongly overlooked mood piece.
Frightening Friday (Movie review): Fans of later gems such as “Hereditary” might want to peek into “Darkness,” a wrongly overlooked mood piece.
Movie review: “A new vision of horror” is slightly overstating it, but “Malignant” uses its bizarre premise and wild action to stand out from the horror pack.
Fall movie preview: The fall offerings return to normalcy with theatrical releases. Many will be immediately available for home viewing, too.
Frightening Friday (Movie reviews): After “The Grudge,” Sarah Michelle Gellar sticks with supernatural horror in these two films from her period between “Buffy” and “Ringer.”
Frightening Friday (Movie review): Takashi Shimizu remakes his own “Ju-On,” adding the lonely Americans-in-Tokyo aspect. But the creepy mood again dominates.
Summoning ‘Candyman’ (Movie review): Again, Candyman torments someone into joining him in the afterlife. It was better the previous two times.
Summoning ‘Candyman’ (Movie review): The second “Candyman” is a remake as much as a sequel. But it maintains a decent level of technical quality.
Summoning ‘Candyman’ (Movie review): Like “Hellraiser,” this Clive Barker-produced urban-horror project is driven by its artistry. Here, the score by Philip Glass stands out.
Frightening Friday (Movie review): The only non-“Scream” collaboration between Williamson and Craven has a cast of stars, but also a messy werewolf mythology.
Movie rankings: It’s Friday the 13th, so here are my worst-to-first rankings of the 12 films of the Jason Voorhees saga.