NBC’s new Event Series, ‘La Brea,’ is stuck in the pits
First episode impressions (TV review): “La Brea” name-drops “Lost” and blatantly riffs on it. Suffice it to say, it’s no “Lost.”
First episode impressions (TV review): “La Brea” name-drops “Lost” and blatantly riffs on it. Suffice it to say, it’s no “Lost.”
Michael Crichton Monday (TV review): Most of Crichton’s successes are in books and film, but his big TV success is nothing to sneeze at.
First episode impressions (TV review): The genre of a dead body in a dying town is well-worn. But “American Rust” is at least appealingly well-worn.
Fall TV preview: Networks and streamers are in a race to capture our attention. Lots of these shows will be discards, but the best ones should be good.
First episode impressions (TV review): For a dark comedy, this murder serial is warm-hearted. The subtle humor is a delight, and the mystery is compelling.
First episode impressions (TV review): “Slasher” reaffirms its status as the goriest show on TV in a Season 4 that starts slow but is steadily building.
Kevin Smith Week (TV review): This loony ’toon isn’t a bridging story between “Clerks” and “Clerks II.” But it appeals to some of Smith’s fan base.
First episode impressions (TV review): The series started with promise a couple years back. But it has never lived up to its potential, and “Hands” is a new low.
TV review: A loaded cast and an emphasis on characters makes this HBO miniseries stand out despite its standard murder-mystery trappings.
TV commentary: Is it possible to believe both Jeanette and Kate? We examine this and other “Cruel Summer” questions as the first season nears its finale.