Christie, Marple still sharp in ‘The Mirror Crack’d’ (1962)
Sleuthing Sunday (Book review): The author and her detective lament the new Development near St. Mary Mead, but crime-solving principles remain unchanged.
Christie, Marple still sharp in ‘The Mirror Crack’d’ (1962)
‘Salem’s Lot’ miniseries (1979) sucks life out of King’s book
Stephen King flashback (TV review): King adaptations have a proud history in the miniseries format, but the first one doesn’t stand the test of time.
‘Ordeal by Innocence’ (1958) badgers the bystanders
Sleuthing Sunday (Book review): Agatha Christie shows that when everyone is a suspect, the guilty person catches a break, and the innocent suffer.
‘Gremlins 2: The New Batch’ (1990) not as bizarre as its rep
Frightening Friday (Movie review): Despite the great “Key & Peele” sketch, “Gremlins 2” isn’t a uniquely strange sequel; its bigness is typical for the era.
Affleck, de Armas keep ‘Deep Water’ from sinking
Movie review: Ben Affleck and Ana de Armas keep us engaged as a psychologically off-kilter rich couple, but “Deep Water” is too simple to achieve greatness.
‘Scream 5’ smartly illustrates fan feedback loop
Movie review: The “Scream” franchise returns to the big screen to examine the creator-fan feedback loop that has emerged in the past decade.
‘Blade Runner 2029’ gets more generic with ‘Echoes’ (2021)
PKD flashback (Comic book review): The second volume of “Blade Runner 2029” is oddly intent on making its antagonist particularly villainous.
‘Adam Project’ adds Reynolds’ riffing to kiddie plot
Movie review: Ryan Reynolds’ charm is in place, but the time-travel plot is so basic one wonders if this was conceived as a kids’ film.
‘West Side Story’ (2021) an ugly tale presented with false beauty
Movie review: Steven Spielberg grandly resurrects the classic stage musical, and it’s unclear if its lack of fresh appeal is accidental or intentional.
King poetically chronicles dying small town in ‘’Salem’s Lot’ (1975)
Stephen King flashback (Book review): King’s definitive vampire novel is about more than vampires as it chronicles a crumbling Maine township in the 1970s.