‘Poirot’ Season 11 (2008-09) runs into adaptation challenges
Sleuthing Sunday (TV review): Despite some bizarre scripting choices, the series’ production values have never been higher.
‘Poirot’ Season 11 (2008-09) runs into adaptation challenges
Heavy-handed cut-and-shunt celluloid: ‘Curse of the Stone Hand’ (1965)
Frightening Friday (Movie review): Jerry Warren’s oddity intercuts and dubs two 1940s Chilean films into an entertaining package.
‘Hackers’ (1995) isn’t a hack job, but it’s not good either
Throwback Thursday (Movie review): Granted, this uncomfortably schizophrenic film from the heady early internet days has its admirers.
‘Sabrina’ (1954) an all-time great breezy romance
Wilder Wednesday (Movie review): The delicately humorous screenplay and lead trio make this film easy to like, even by Wilder’s standards.
‘Super/Man: The Christopher Reeve Story’ (2024) flies high as a tear-jerker
Movie review: The documentary makers are careful to distinguish the man from the superhero in this moving chronicle of a life, and lives affected.
If ‘Shadow of a Doubt’ (1991) doesn’t leave, I’ll kill it myself
On a Hitchcock kick (Movie review): This TV-movie remake of Hitch’s favorite of his catalog illustrates how the script requires the master’s touch to be effective.
‘Poirot’ Season 10 (2005-06) a mix of smart and ill-advised alterations
Sleuthing Sunday (TV review): Rewriting of Christie’s words helps one story and hurts another in this season when Ariadne Oliver makes her debut.
‘Haunt’ (2019) a decent slasher romp through a Halloween attraction
Frightening Friday (Movie review): “Heretic” helmers Scott Beck and Bryan Woods proved they know the basics with this horror effort.
We really need to talk about ‘We Need to Talk About Kevin’ (2011)
Throwback Thursday (Movie review): Although the wait for answers is agonizing, strong visual storytelling and a late recovery makes it worthwhile.
‘Some Like It Hot’ (1959), and everyone likes it funny
Wilder Wednesday (Movie review): Lemmon’s comedic chops and Curtis’ variety of characters make this the all-timer among gender-switch films.