‘Maid in Manhattan’ (2002), ‘Drillbit Taylor’ (2008) wrap Hughes’ resume
Hughes Day Tuesday (Movie reviews): The “Edmond Dantes” films generally aren’t held in high esteem, but these two aren’t too shabby.
Hughes Day Tuesday (Movie reviews): The “Edmond Dantes” films generally aren’t held in high esteem, but these two aren’t too shabby.
Preston & Child flashback (Book review): Lincoln Child breathes new life into an SF subgenre that dates at least back to “2001.”
Movie review: Perhaps the cast and crew got the gloom out of their system in previous projects. Here, the apocalypse isn’t so bad.
Sleuthing Sunday (Book review): Christie’s Superintendent Battle is a man of few words. But when he does speak, you know he’s worth listening to.
Superhero Saturday (Movie review): We never got Burton’s vision of Superman. Maybe it’s better that we got this compelling documentary.
Hannibal at 40 (Movie review): Before the hype of “Lambs,” Hannibal snuck onto screens in this appealing slice of 1980s neon noir.
Blogging ‘Saul’ (TV review): “Breaking Bad” faves such as Gus, Hector and Lydia get their backstories off the ground in “Saul” Season 3.
Woody Wednesday (Movie review): It turns out there’s room in the world for both “Star Wars” and Allen’s critical darling “Annie Hall.”
Hughes Day Tuesday (Movie reviews): John Hughes’ final two screenwriting credits are a stark contrast — a strong late-career work and a phoned-in remake.
Movie review: The great Denzel performance and the 1990 setting are among the appealing throwback elements of
Hancock’s film.