‘Maid in Manhattan’ (2002), ‘Drillbit Taylor’ (2008) wrap Hughes’ resume
Hughes Day Tuesday (Movie reviews): The “Edmond Dantes” films generally aren’t held in high esteem, but these two aren’t too shabby.
Hughes Day Tuesday (Movie reviews): The “Edmond Dantes” films generally aren’t held in high esteem, but these two aren’t too shabby.
Movie review: Perhaps the cast and crew got the gloom out of their system in previous projects. Here, the apocalypse isn’t so bad.
Woody Wednesday (Movie review): It turns out there’s room in the world for both “Star Wars” and Allen’s critical darling “Annie Hall.”
Hughes Day Tuesday (Movie reviews): John Hughes’ final two screenwriting credits are a stark contrast — a strong late-career work and a phoned-in remake.
Hughes Day Tuesday (Movie review): Granted, this movie is fundamentally ridiculous. But amid Hughes’ second decade of films, you could do a lot worse.
Hughes Day Tuesday (Movie reviews): These supposed family films are two exhibits in the case against the second decade of Hughes’ filmmaking career.
Hughes Day Tuesday (Movie reviews): A lot of Hughes’ later films are for the dogs. That said, you’re not barking up the wrong tree if you expect laughs here.
TV review: More than any other show that resurrects an old property, “Cobra Kai” knows how to give fans what they want and still make smart TV.
Hughes Day Tuesday (Movie review): “Career Opportunities” doesn’t live up to its potential. But it does have 1991 Jennifer Connelly in a tank top.
2020 movies: This unusual year nonetheless offered some movies worth celebrating. Here are my top 10 films of 2020.