Coughlan goes to head of the class in ‘Teaching Mrs. Tingle’ (1999)
Throwback Thursday (Movie review): In his schizophrenic dark comedy, Williamson understands (and perfectly casts) the teens more than the adult.
Comedy
Coughlan goes to head of the class in ‘Teaching Mrs. Tingle’ (1999)
‘Phantom of the Paradise’ (1974) is De Palma’s ambitious pop opera
Frightening Friday (Movie review): Some will get into the groove of this “Phantom of the Opera” for the ’70s, others will be bored. I was somewhere in between.
Sandler fans will be ‘Happy’ with ‘Gilmore 2’
Movie review: It’s not merely a hangout film; the comic actor finds something to say about the absurdity of modern sports entertainment.
This is how it is in suburbia: ‘American Beauty’ still does 1999 proud
Throwback Thursday (Movie review): Even in a year of “Office Space” and “American Pie,” “American Beauty” stands out as something beautiful.
‘Venom: The Last Dance’ (2024) a sweet friendship story
Superhero Saturday (Movie review): The “Venom” trilogy goes out on top with the best performance yet by Tom Hardy in the title role.
Fun-loving filmmakers invite audience along for ‘EuroTrip’ (2004)
Throwback Thursday (Movie review): Not as substantial as other raunch-coms of the era, it’s nonetheless good-natured and breezy.
Westlake’s ‘Jimmy the Kid’ (1974) and the ‘fiction vs. reality’ conundrum
Sleuthing Sunday (Book review): The prolific crime-fiction author knows how to have absurdist (yet realistic) fun by undercutting clichés at every turn.
Cute ‘Freaky Friday’ (1976) leads to even better 2003 remake
‘Freaky Friday’ flashback (Movie reviews): With the sequel “Freakier Friday” coming to theaters, here’s a look back at the original and the most famous remake.
‘King of Comedy’ (1982) an engrossingly awkward satire of showbiz
Throwback Thursday (Movie review): “Joker” would more robustly explore mental illness, but this previous De Niro film takes a simpler approach.
‘It’s a Boy Girl Thing’ (2006) tackles the double empathy problem with laughs
Throwback Thursday (Movie review): Though the body-swap comedy beats are expected, they are also welcome when played out by Armstrong and Zegers.