‘Where the Crawdads Sing’ manipulative but undeniably pretty
Movie review: Although too beautiful to be a shunned “Marsh Girl,” Daisy Edgar-Jones steals hearts in this adaptation of a Sixties-set murder-mystery novel.
Movie review: Although too beautiful to be a shunned “Marsh Girl,” Daisy Edgar-Jones steals hearts in this adaptation of a Sixties-set murder-mystery novel.
Sleuthing Sunday (Book review): Charles Osborne’s second novelization of an Agatha Christie play showcases her mystery-puzzle plotting mastery.
First episode impressions (TV review): Scott B. Smith returns to prominence with “The Peripheral,” the latest visionary sci-fi show to hit streaming.
Frightening Friday (Movie review): “Urban Legends” turns its attention to the Bloody Mary myth, but you’d be better off rewatching “Candyman.”
Woody Wednesday (Movie review): It includes a lot of Allen staples, but Mira Sorvino’s unusual Oscar-winning performance makes this film stand out.
Movie review: At the same time they made “X,” Ti West and Mia Goth also made its prequel, and – while it’s a different type of film – it’s just as good.
TV review: The switch to young-adult source material doesn’t mean Mike Flanagan’s high bar has been lowered. This is another artistic mix of heart and horror.
Six weeks of ‘The Omen’ (Movie review): Director John Moore pulls off a neat trick of respecting the original narrative while adding his own style.
Movie review: The “H40” sequel trilogy takes a surprising turn, but the pulpy vibe and delicious Carpenter score make for a holiday celebration.
Six weeks of ‘The Omen’ (Movie review): Damien is dead, but oddly, the franchise isn’t. It continues with this repetitive and unnecessary TV movie.