Christie gets theatrical in ‘Murder in Three Acts’ (1935)
Sleuthing Sunday (Book review): This novel doesn’t have the strictest three-act structure, but it does tap into the notion of life as a performance.
Mystery
Christie gets theatrical in ‘Murder in Three Acts’ (1935)
Crichton opens a smart puzzle box in ‘Sphere’ (1987)
Michael Crichton Monday (Book review): Unlike most Crichton novels, “Sphere” is a puzzle box. On your first read, you don’t know what it’s about.
Christie expands sleuth roster with ‘Parker Pyne Investigates’ (1934)
Sleuthing Sunday (Book review): Christie struggles to come up with the right word for Pyne’s job. He’s like a life coach, except you pay by the situation.
‘Cruel Summer’ is sudsy and satisfying
First episode impressions (TV review): Bert V. Royal has crafted an engrossing mix of questions, accusations and interpersonal drama.
‘Boomerang Clue’ (1934) a better romance than mystery
Sleuthing Sunday (Book review): It’s too bad Frankie and Bobby didn’t get more stories, because they’re by far the best part of this Christie yarn.
Poirot questions himself in ‘Peril at End House’ (1932)
Sleuthing Sunday (Book review): A vacation turns into a murder mystery, but that doesn’t mean Poirot is off his game. Nor is Christie.
‘Broken Flowers’ (2005) a slow-burn travelogue
Throwback Thursday (Movie review): Bill Murray gives one of his elite toned-down performances as a depressive man seeking a son he never knew.
Poirot takes swing at ‘Murder on the Links’ (1923)
Sleuthing Sunday (Book review): Christie’s second Poirot novel includes rival detectives, forbidden love and dysfunctional families.
‘Mysterious Mr. Quin’ (1930) toys with supernatural
Sleuthing Sunday (Book review): Christie tiptoes close to adding the supernatural into her work in this collection that explores relationships.
Tommy and Tuppence star in ‘Partners in Crime’ (1929)
Sleuthing Sunday (Book review): Agatha Christie returns to the husband-and-wife amateur detectives in a likable short-story collection.