‘Psycho’ saga takes a truncated shot at TV with ‘Bates Motel’ (1987)
On a Hitchcock kick (TV review): It’s about as far away from Hitchcock’s classic as one can get, but this TV pilot is a bizarre curiosity.
NBC
‘Psycho’ saga takes a truncated shot at TV with ‘Bates Motel’ (1987)
‘The Omen’ TV pilot (1995) is a rightly forgotten branch of the lore
Frightening Friday (TV review): Although it didn’t go to series, “The Omen” – which has little to do with the same-named hit film — did air as an NBC TV movie.
John’s top 10 TV shows of 2023
2023 television: A couple of old-school network shows break into the streaming-dominated list of my favorite series of the year.
‘A Murder at the End of the World,’ ‘Fargo’ Season 5, ‘The Irrational,’ ‘The Spencer Sisters’
First episode impressions (TV reviews): “A Murder at the End of the World” goes to the head of the fall class of long-form mysteries, while “The Irrational” might intrigue procedural fans.
Fall TV preview 2023: 10 shows I wouldn’t mind watching
Fall TV preview: Amid the strike, networks and streamers have patched together a slate of pre-planned shows and foreign imports.
In ‘Amityville 4’ (1989), ‘The Evil Escapes’ into a daytime soap
Revisiting Amityville (Movie review): Back in the day, there was a substantial difference between theatrical movies and TV movies. “A4” is a case study.
It’s freaky how great ‘Freaks and Geeks’ (1999-2000) still is
One-season wonders (TV review): It’s time to geek out over the brilliance of this breakthrough teen TV series from Paul Feig and Judd Apatow.
‘Quantum Leap’ finds its way home, with mixed results
First episode impressions (TV review): The resurrection of the beloved sci-fi series is loaded with potential, but so far it’s missing the magic.
Fuller’s version of ‘Carrie’ (2002) digs into characters
Stephen King flashback (Movie review): The third “Carrie” film is a more faithful and character-driven take on King’s book.
‘Law & Order’ rips from decade of headlines to launch Season 21
First episode impressions (TV review): NBC makes up for one of its biggest mistakes by bringing back the original NYC-based “L&O” after a 12-year hiatus.