‘Death on the Nile’ (1978) faithfully and lavishly adapts Christie’s gem
Sleuthing Sunday (Movie review): Peter Ustinov gets a bit closer to Poirot than Albert Finney did, and the film stays true to the brilliant plot.
Oscars
‘Death on the Nile’ (1978) faithfully and lavishly adapts Christie’s gem
‘Speed’ (1994) a fast, fun showcase for Reeves, Bullock
Throwback Thursday (Movie review): The premise and spectacle are smart in that dumb way of 1990s actioners, and the leads have cute chemistry.
‘Black Panther: Wakanda Forever’ (2022) has heart, not enough soul
Superhero Saturday (Movie review): This sequel is hyper-aware that it lacks Chadwick Boseman, but it doesn’t have good enough ideas to make up for the loss.
Craig’s Blanc joins a newly loaded cast for ‘Glass Onion’
Movie review: Rian Johnson continues with what worked on “Knives Out” in this twisty romp of a mystery that gets a little overblown by the end.
‘Deconstructing Harry’ (1997) puts typical Allen situations through blender
Woody Wednesday (Movie review): This film overcomes its hard-to-grasp structure to become great for a basic reason: It’s darn funny.
Penn starrer ‘Sweet and Lowdown’ (1999) turns out sour
Woody Wednesday (Movie review): Penn and Morton are decent, but where are the laughs in this faux-historical piece that’s structured like a comedy?
Sorvino magnetically ridiculous in ‘Mighty Aphrodite’ (1995)
Woody Wednesday (Movie review): It includes a lot of Allen staples, but Mira Sorvino’s unusual Oscar-winning performance makes this film stand out.
‘Top Gun: Maverick’ cruises along with spectacle, nostalgia
Movie review: Come for the spectacular visuals and audio, stay for the … ahem … spectacular visuals and audio in this long-awaited sequel.
‘Everything Everywhere All at Once’ needed another editing pass
Movie review: Despite the heartfelt messages at its core, this creative SF comedy is undone by its bombastic style and length.
‘West Side Story’ (2021) an ugly tale presented with false beauty
Movie review: Steven Spielberg grandly resurrects the classic stage musical, and it’s unclear if its lack of fresh appeal is accidental or intentional.