‘Mad Max: Fury Road’ (2015) like a heavy metal ballet
Five days of ‘Mad Max’ (Movie review): George Miller returns to his saga and makes the greatest legacy sequel of all time, and one of the action genre’s elite.
Oscars
‘Mad Max: Fury Road’ (2015) like a heavy metal ballet
This time, De Palma’s Hitchcock ‘Obsession’ (1976) doesn’t pay off
Throwback Thursday (Movie review): Sometimes a screenplay’s interesting ideas don’t coalesce into a compelling film. Such is the case in this “Vertigo” riff.
‘Sunset Boulevard’ (1950) an all-time great movie about movies
Wilder Wednesday (Movie review): And that’s just one of the themes in this study of a fallen celebrity without a genuine identity.
‘The Apartment’ (1960) is worth renting, maybe even owning
Wilder Wednesday (Movie review): The Oscars were right: Lemmon and MacLaine are delightful in this light-touch, heartfelt romantic dramedy.
‘It’s a Wonderful Life’ (1946), but is it a wonderful movie?
Christmas movie flashback: Frank Capra’s classic must be the most widely beloved movie about the business of real-estate loans. (Plus: A look at the film’s influence on “Buffy” Season 3.)
‘Edward Scissorhands’ (1990) a too-thin slice of heartfelt weirdness
Throwback Thursday (Movie review): For many Burton fans, this Christmastime film is a cut above, but I find it slices too thin.
‘The Holdovers’ (2023) merely a placeholder for Payne
Throwback Thursday (Movie review): The director has delivered many 21st century masterpieces, but this Christmas film falls short of that status.
‘Three Days of the Condor’ (1975) provides holiday-season conspiracy chill
Throwback Thursday (Movie review): Other than an infamously bad romance subplot, this is another top-shelf Seventies paranoia thriller.
Old Hollywood meets film noir in ‘Paradine Case’ (1947)
On a Hitchcock kick (Movie review): The director closes out his pre-color period with a moody courtroom drama that’s not as strong as it could’ve been as a mystery.
‘The Conversation’ (1974) explores psychological price of spying
Throwback Thursday (Movie review): Coppola’s film from the golden age of neo-noir spy films should’ve started a national conversation. At least it remains a great film.