‘Muppets Take Manhattan’ (1984) takes the felt-and-foam performers to new levels
Throwback Thursday (Movie review): Jim Henson’s creations go to the big city in a fun musical that could stand to have more music.
Romance
‘Muppets Take Manhattan’ (1984) takes the felt-and-foam performers to new levels
McKenna-Bruce shines as Bundle in ‘Agatha Christie’s Seven Dials’
TV review: Soaking up the vibe from 100 years ago is the main hook of this Christie adaptation, though the mystery eventually kicks into gear.
Sentimental ‘Starman’ (1984) shows the softer side of Carpenter
Throwback Thursday (Movie review): The director’s only theatrical film that’s not action or horror is openly sentimental and hard to dislike.
Marlowe finds love in ‘Brasher Doubloon’s’ (1947) lighter take on ‘High Window’
Sleuthing Sunday (Movie review): George Montgomery makes Chandler’s P.I. into more of an ole softie than we’re accustomed to.
Carpenter brings ‘Elvis’ (1979) down to Earth in TV biopic
Throwback Thursday (Movie review): The director’s only non-genre film is a fine one, filled with music but not the details you’d need for a full portrait.
‘Lady in the Lake’s’ (1947) direct-POV experiment is all wet
Sleuthing Sunday (Movie review): Unfortunately, the mystery of Chandler’s strong fourth novel gets lost in a quest for a new style.
‘Monarch: Legacy of Monsters’ Season 2 has Monsterverse’s best characters
TV review: Kurt Russell and other skilled actors mesh well with the special effects for a surprisingly engaging expansion of the saga.
Marlowe properly comes to screen in ‘Murder, My Sweet’ (1944)
Sleuthing Sunday (Movie review): The screenplay reassembles elements of “Farewell, My Lovely” in an intriguing way, and Dick Powell is a pleasing Marlowe.
‘Great Muppet Caper’ (1981) is clever, cute, capricious
Throwback Thursday (Movie review): Jim Henson makes his directorial debut in the second “Muppets” movie.
‘Darker Than Amber’ (1966, 1970) is first McGee novel to darken screens
Sleuthing Sunday (Book and movie reviews): The plot’s relative simplicity makes it a good choice, and the casting is solid. But MacDonald’s introspection can’t be mimicked.