Be very suspicious of the 1988 remake of ‘Suspicion’
On a Hitchcock kick (Movie review): It’s Curtin’s for us if we try to get any pleasure from an adaptation that doesn’t feature Grant and Fontaine.
Romance
Be very suspicious of the 1988 remake of ‘Suspicion’
It’s hard to break away from ‘Severance’ Season 2
TV review: Despite a couple slow episodes, Dan Erickson’s show succeeds by being a character-driven puzzle box.
‘Fortune Cookie’ (1966) crumbles under its length, predictability
Wilder Wednesday (Movie review): This supposed satire of dishonest lawyering misfires by running the ball right up the middle.
‘Oxford Inheritance’ (2016) is cozy but too generic
Book club book report: Ann A. McDonald creates an invitingly mysterious campus, but does nothing remarkable with plot or characters.
‘Double Indemnity’ (1944) a deliberate classic of film noir
Wilder Wednesday (Movie review): Stiffer than Wilder’s later masterpieces, his adaptation of Cain’s novel helps stamp a genre into public consciousness.
‘Hunter and Other Stories’ (2013) cleans out Hammett’s files
Sleuthing Sunday (Book review): Unpublished and under-published tales are rounded up from the author’s archives, but this is for serious fans only.
By a ‘Coup de Chance’ (2023), Woody’s still got it
Woody Wednesday (Movie review): While this isn’t Allen’s best film mixing infidelity and murder, the themes are remixed in an engaging way.
Wilder adds to sleuth’s lore in ‘Private Life of Sherlock Holmes’ (1970)
Wilder Wednesday (Movie review): The premise: This unusually personal mystery was kept from the public till 50 years after the sleuth’s passing.
‘The Gorge’ can’t clear the gap to greatness
Movie review: Standard sci-fi intrigue and two likeable leads keep Derrickson’s film from descending too far, but it could’ve been better.
‘Avanti!’ (1972) not among Wilder’s elite, but it certainly avoids cliches
Wilder Wednesday (Movie review): By not challenging its own morality (or immorality), the film oddly encourages us to think outside the box.