‘Under the Banner of Heaven’ a ripping critique of religion
TV review: One of 2022’s best murder-mystery miniseries is also an honest study of how religion shapes people’s minds and lives.
Television
‘Under the Banner of Heaven’ a ripping critique of religion
‘Don’t Drink the Water’ adapted poorly (1969) and, well, better (1994)
Woody Wednesday (Movie reviews): Neither version is outstanding, but if you watch one, definitely track down the 1994 movie that comes directly from Allen.
‘Beavis and Butt-head’ more smartly stupid than ever in Season 9
TV review: Mike Judge’s now-iconic series expands its canvas to include multiple timelines as it makes fun of the lead duo and the world around them.
With ‘Westworld’ canceled, ‘Peripheral’ smoothly slides in
First episode impressions (TV review): Scott B. Smith returns to prominence with “The Peripheral,” the latest visionary sci-fi show to hit streaming.
‘Damien’ (2016) gives ‘Omen’ lad more adult struggles
Six weeks of ‘The Omen’: This nice-looking, inconsistently written series gives Damien more robust internal strife against his dark destiny.
Flanagan goes YA for ‘Midnight Club,’ but never fear – it’s still good
TV review: The switch to young-adult source material doesn’t mean Mike Flanagan’s high bar has been lowered. This is another artistic mix of heart and horror.
‘Alaska Daily’ puts spotlight on modern investigative reporting
First episode impressions (TV review): “Spotlight” was a thank-you letter to probing journalism; now “Alaska Daily” shows why it’s still important.
‘Quantum Leap’ finds its way home, with mixed results
First episode impressions (TV review): The resurrection of the beloved sci-fi series is loaded with potential, but so far it’s missing the magic.
Griffith earns Silver medal for ‘Cobra Kai’ Season 5
TV review: Thomas Ian Griffith gives an outstanding villainous turn as Season 5 focuses on the adults, then re-centers on the kids for an epic final battle.
‘Devil in Ohio’: Horror miniseries as comfort food
TV review: Adapting her own book, Daria Polatin delivers a safe and tame devil-worshiper saga. But it’s boosted by the excellent Madeleine Arthur.