Donner, Murray add nutmeg to a classic in ‘Scrooged’ (1988)
Throwback Thursday (Movie review): An unusual but effective blend of dark and light tones, Richard Donner’s film ultimately succeeds because of Bill Murray.
Comedy
Donner, Murray add nutmeg to a classic in ‘Scrooged’ (1988)
‘Don’t Drink the Water’ adapted poorly (1969) and, well, better (1994)
Woody Wednesday (Movie reviews): Neither version is outstanding, but if you watch one, definitely track down the 1994 movie that comes directly from Allen.
‘Beavis and Butt-head’ more smartly stupid than ever in Season 9
TV review: Mike Judge’s now-iconic series expands its canvas to include multiple timelines as it makes fun of the lead duo and the world around them.
‘Anna and the Apocalypse’ (2017) is fun … until the end
Frightening Friday (Movie review): “High School Musical” meets “The Walking Dead” in this riff that starts off fun but chooses the wrong tone later.
‘Unaccompanied Minors’ (2006) are unaccompanied by laughs
Throwback Thursday (Movie review): The setup of five unsupervised kids in an airport has potential and holiday spirit, but the script forgets the ho-ho-hos.
Allen skewers star-making culture in ‘Celebrity’ (1998)
Woody Wednesday (Movie review): It’s sometimes more absurd and sometimes more accessible than “Stardust Memories.” In the end, it’s a great companion piece.
Gibson plays a decidedly gruff Santa in ‘Fatman’ (2020)
Throwback Thursday (Movie review): There’s no Jake to be found, but this Fatman lays down the law on his own against bad guys at Christmastime.
Allen puts funny spin on ‘Everything You Always Wanted to Know About Sex’ (1972)
Woody Wednesday (Movie review): Not as risqué as the title, this film lands in the middle of the pack among Allen’s pre-“Annie Hall” farces.
‘Deconstructing Harry’ (1997) puts typical Allen situations through blender
Woody Wednesday (Movie review): This film overcomes its hard-to-grasp structure to become great for a basic reason: It’s darn funny.
Rockwell, Ronan make ‘See How They Run’ a comedic delight
Movie review: Great actors team up with a sharp screenplay by Mark Chappell that understands the humorous side of Agatha Christie’s whodunits.