Feig’s ‘Housemaid’ (2025) should’ve cleaned up its script
Movie review: The director’s latest slick thriller boasts fun twists, but the plot and characterizations ultimately flee from plausibility.
Mystery
Feig’s ‘Housemaid’ (2025) should’ve cleaned up its script
McGee’s ‘Nightmare in Pink’ (1964) only partly comes from juggling women
Sleuthing Sunday (Book review): The second McGee novel especially reveals the secret that these are men’s romance novels.
‘Someone’s Watching Me!’ is even more 1978 than ‘Halloween’
Frightening Friday (Movie review): Carpenter efficiently packages Seventies paranoia as a prime-time vehicle for Lauren Hutton.
‘Deep Blue Good-by’ (1964) a confident, rollicking hello to Travis McGee
Sleuthing Sunday (Book review): Already well-established with standalones, John D. MacDonald confidently segues to a series character.
Action gets heated in Grafton’s ‘H is for Homicide’ (1991)
Sleuthing Sunday (Book review): Kinsey finds herself undercover in gangland L.A. as the author wildly breaks from formula.
‘You’re Next’ (2011) puts Wingard, cheeky slashers on the map
Frightening Friday (Movie review): The director who would eventually take over the “Godzilla” films drops an impressive calling card of home-invasion horror.
‘G is for Gumshoe’ (1990) … and for good, but not great
Sleuthing Sunday (Book review): Strong concepts are underdeveloped as Kinsey enters her second year of filing reports as a P.I.
John’s top 10 TV shows of 2025
TV list: The way we consume TV is changing, but luckily quality isn’t dropping.
McGee series cleanses itself in ‘The Lonely Silver Rain’ (1985)
Sleuthing Sunday (Book review): John D. MacDonald didn’t intend for this to be his last Travis McGee novel, but it has a fitting coda.
‘Terror Train’ (1980) keeps Curtis’ golden age on track
Frightening Friday (Movie review): This Canadian slasher might be shlock, but it’s atmospheric shlock that chugs along with all engines firing.